Signup
Search in https://www.rogerebert.com
Movie Reviews
Great Movies
TV/Streaming
Interviews
Collections
Festivals & Awards
Contributors
Mary Shelley
Mary Shelley
Mary Shelley Movie Reviews
Victor Frankenstein
Glenn Kenny
Novel
I, Frankenstein
Glenn Kenny
Characters
Blog Posts That Mention Mary Shelley
“Rosemary’s Baby” Never Justifies Its Existence, “Penny Dreadful” Delivers
Brian Tallerico
She’s Alive! Why Frankenstein Is Back—And Why It’s Being Used to Tell Women’s Stories
Gabrielle Moss
Home Entertainment Guide: April 2022
Brian Tallerico
Which is the monster? The creature, or the creator?
Pablo Villaça
If We Picked the Winners: The 98th Academy Awards
Brian Tallerico
Monstrous Women: From Medusa to the Bride and Rumi Too
Sherin Nicole
Female Filmmakers in Focus: Grace Glowicki on “Dead Lover”
Marya E. Gates
Love and Monsters: Three Films to Enjoy on Valentine’s Day
Chaz Ebert
40 Movies We Can’t Wait to See in 2026
Brian Tallerico
Chaz Ebert’s 30 Best Movies of 2025 (and One Guilty Pleasure)
Chaz Ebert
The Telluride Tea: Reflections and Highlights of the 2025 Telluride Film Festival
Cortlyn Kelly
Sundance: Dead Lover, Touch Me
Robert Daniels
Let The Dead Sleep: On “Alien Romulus” and Digital Resurrection
Matt Zoller Seitz
I’ve Never Seen Anything Like It Before: Roger Corman (1926-2024)
Peter Sobczynski
Home Entertainment Guide: April 2024
Brian Tallerico
Dead Ringers: Rebirthing Body Horror
Beth Accomando
Triage Is a Huge Part of Filmmaking: Laura Moss on Birth/Rebirth
Isaac Feldberg
KVIFF 2023: We Have Never Been Modern, Restore Point, Blackbird Blackbird Blackberry
Robert Daniels
Everything Is Fate: Julian Sands (1958-2023)
Peter Sobczynski
It’s Alive!: On the Many Faces of Frankenstein
Daniel Dockery
Cloris Leachman: 1926-2021
Odie Henderson
Revisiting Andrew Niccol’s Gattaca in the Age of CRISPR
Valerie Kalfrin
Alone in the Dark: Sady Doyle on Dead Blondes and Bad Mothers
Matt Zoller Seitz
TIFF 2017 Preview: 20 World Premieres We Can’t Wait to See
Brian Tallerico
Guillermo del Toro’s “Monsters” Unleashed at LACMA
Jana Monji
Cannes, Day Eight: Jean-Luc Godard’s “Goodbye to Language”
Barbara Scharres
And the Palme d’Whiskers goes to…
Barbara Scharres
Helena Bonham Carter: Queen of the period picture
Roger Ebert
Popular Reviews
Swapped (2026)
Zachary Lee
Erupcja
Robert Daniels
The Furious
Matt Zoller Seitz
Amadeus (2026)
Kaiya Shunyata
The best movie reviews, in your inbox