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Gray’s “Elegy Written in a Country Churchyard”
Written in the Flesh: A Crash Course in David Cronenberg
Black history written with lightning
RescueFest Opens with Restoration of Steve Buscemi’s Wonderful “Trees Lounge”
What I Know is What I Am: Jimmy Cliff (1944-2025)
Home Entertainment Guide November 2025: “Familiar Touch,” “Eyes Wide Shut,” “Splitsville”
No Good Deed Will Go Unpunished: Kleber Mendonça Filho and Wagner Moura on “The Secret Agent”
Ted Danson Goes Back to School in the Charming Second Season of Netflix’s “A Man on the Inside”
Their Show Cracked Open the World: Siskel & Ebert Memories
Right Now, It’s Important: An Ode to S.E. Hinton’s Teenagers
A Source of Inspiration: Elle Fanning and Stellan Skarsgård on “Sentimental Value”
“Landman” Might Be the Dumbest Fracking Show on TV
It’s Important for a Film to Wake an Audience Up: Ira Sachs on “Peter Hujar’s Day”
HBO’s “The Seduction” Surprises without Sizzle
Adaptation is About Subtraction: James Vanderbilt on “Nuremberg”
The Most Movie Moment: Aiyana-Lee on Getting a Surprise DM from Spike Lee and Filming Her First-Ever Movie Scene with Denzel Washington
Criterion Mobile Closet Steered Through Chicago International Film Festival Amid An Intense Political Weekend
CIFF 2025: One Golden Summer, Before the Call, Adult Children, Only Heaven Knows
How to Define Freedom: Nia DaCosta on “Hedda”
NYFF 25: The Currents, Gavagai, Is This Thing On?
It’s A Process: Kelly Reichardt on “The Mastermind” and Josh O’Connor’s Timeless Mug
NYFF 2025: The 63rd Edition Comes to a Close
You Play Well: Diane Keaton (1946-2025)
Your Life Matters: Jane Goodall (1934-2025)
Home Entertainment Guide: “28 Years Later,” “Materialists,” “Superman,” “Jurassic World Rebirth,” More
Just Be Sure You’re Right: Watching “All the President’s Men” in 2025
Why “I’m Still Here” Will Always Be a Powerful Watch
An Ear for Writing For Women: Stan Zimmerman on Golden Girls, Rosanne, Gilmore Girls
TIFF 2025: A Canadian Viewpoint on the Toronto International Film Festival at 50
The River Flows: Robert Redford (1936 – 2025)
Chloe Zhao’s “Hamnet” Wins the TIFF People’s Choice Award
TIFF 2025: Christy, Couture, Steal Away
TIFF 2025: The Christophers, &Sons, Dead Man’s Wire, Tuner
TIFF 2025: Wake Up Dead Man, Rental Family
Back to Duality: James Sweeney and Dylan O’Brien on “Twinless”
Robert Daniels & Odie Henderson Talk “Highest 2 Lowest”
50 Years Later, “Sholay” Remains a Captivating South Asian Epic
You’re Enough, Just So You Know: Jay Duplass and Michael Strassner on “The Baltimorons”
Telluride Film Festival 2025: The Bend in the River, Summer Tour, This is Not a Drill
Female Filmmakers in Focus: Sierra Falconer on “Sunfish (& Other Stories on Green Lake)”
TIFF 2025: 20 World Premieres We Can’t Wait to See
Venice Film Festival 2025: The Smashing Machine, Kim Novak’s Vertigo, The Testament of Ann Lee, Father Mother Sister Brother
“Gears of War: Reloaded” Writes a New Chapter in the Console Wars
The Most Significant Movie Ever Made
You Don’t Know What Your Time Is Like Until Later: Alex Russell on “Lurker”
Josh Larsen on the Return of Cinema Interruptus
Female Filmmakers in Focus: Hind Meddeb on “Sudan, Remember Us”
Apple TV+’s Meditative and Epic “Chief of War” Demands To Be Seen
Two Become One: Dave Franco, Alison Brie, and Michael Shanks on “Together”
Life is Like a Piano: Tom Lehrer (1928-2025)
“King of the Hill” Slides Right Back into Confidently Funny Rhythms
Enjoy Every Second: Adam Stein and Zach Lipovsky on “Final Destination Bloodlines”
Final Volume of “The Sandman” Solidifies Its Legacy In the Growing Realm of Fantasy Television
Our Minds Have Been Colonized: Ari Aster on “Eddington”
Book Excerpt: It Can’t Rain All the Time by Alisha Mughal
30 Minutes On: “Nashville”
American Badass: Michael Madsen (1957-2025)
Light the Fuse: Lalo Schifrin (1932-2025)
FX’s “The Bear” Serves Another Course Of Dreamlike Intensity in Season Four
Cure Your Insomnia with Prime Video’s “Countdown”
Friendship Is Insane: Eva Victor on “Sorry, Baby”
Intro to Our Juneteenth Edition of Black Writers Week 2025
Ossie Davis and Ruby Dee
Then They Will Learn: The Truth Behind Juneteenth
“Zola,” “Anora,” and the DEI Mirage
The 20 Best Films of 2025 So Far
Gifts in the Impediment: Nina Conti and Shenoah Allen on “Sunlight”
Dancing With Death: Mike Flanagan on “The Life of Chuck”
How Ving Rhames Became the True Heart of the Mission: Impossible Franchise
Owen Wilson Brings Clever, Funny “Stick” in Under Par
Humanizing the Sharks: Sean Byrne on “Dangerous Animals”
A Great Businessman in the Persona of a Wonderful Entertainer: Todd Purdum on Desi Arnaz
59th Karlovy Vary Film Festival Announces Official Selection and Juries
Cannes 2025 Video #7: Critics’ Roundtable
Cannes 2025: Sentimental Value, Romería, The History of Sound
Cannes 2025: Nouvelle Vague, A Magnificent Life
Cannes 2025: My Father’s Shadow, Enzo, Dalloway
Cannes 2025 Video #2: Isaac Feldberg on Eddington, Chronology of Water, Left-Handed Girl, and More
J.J. Abrams, Josh Holloway Reunite on Clever if Inconsistent “Duster”
Movies without Tariffs: A Preview of the 2025 Cannes Film Festival
Remembering Jan Dawson, My Mother-in-Law (Twice)
April 2025 Blu-Ray Guide: “Anora,” “The Brutalist,” “Heart Eyes,” “One of Them Days,” More
Highlights from the 2025 MUBI Fest Chicago
Transformation and Rebirth: Constance Tsang on “Blue Sun Palace”
The Second Season of “Andor” Stands Tall
The Dream Within the Fairy Tale: Emilie Blichfeldt on “The Ugly Stepsister”
