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Blog Posts That Mention Written
Gray’s “Elegy Written in a Country Churchyard”
Written in the Flesh: A Crash Course in David Cronenberg
Black history written with lightning
The 20 Best Films of 2025 So Far
Gifts in the Impediment: Nina Conti and Shenoah Allen on “Sunlight”
Dancing With Death: Mike Flanagan on “The Life of Chuck”
How Ving Rhames Became the True Heart of the Mission: Impossible Franchise
Owen Wilson Brings Clever, Funny “Stick” in Under Par
Humanizing the Sharks: Sean Byrne on “Dangerous Animals”
A Great Businessman in the Persona of a Wonderful Entertainer: Todd Purdum on Desi Arnaz
59th Karlovy Vary Film Festival Announces Official Selection and Juries
Cannes 2025 Video #7: Critics’ Roundtable
Cannes 2025: Sentimental Value, Romería, The History of Sound
Cannes 2025: Nouvelle Vague, A Magnificent Life
Cannes 2025: My Father’s Shadow, Enzo, Dalloway
Cannes 2025 Video #2: Isaac Feldberg on Eddington, Chronology of Water, Left-Handed Girl, and More
J.J. Abrams, Josh Holloway Reunite on Clever if Inconsistent “Duster”
Movies without Tariffs: A Preview of the 2025 Cannes Film Festival
Remembering Jan Dawson, My Mother-in-Law (Twice)
April 2025 Blu-Ray Guide: “Anora,” “The Brutalist,” “Heart Eyes,” “One of Them Days,” More
Highlights from the 2025 MUBI Fest Chicago
Transformation and Rebirth: Constance Tsang on “Blue Sun Palace”
The Second Season of “Andor” Stands Tall
The Dream Within the Fairy Tale: Emilie Blichfeldt on “The Ugly Stepsister”
There’s No Catharsis: David Cronenberg on “The Shrouds”
“Black Mirror” is Back to Bum You Out with One of Its Stronger Seasons
He Communicated with Forces that Were Not in the Norm: Oliver Stone on Directing Val Kilmer
Revisiting the Bunker: Michael Shannon on “Eric LaRue”
“Hacks” Returns at the Peak of Its Comedic Powers
Female Filmmakers in Focus: The Films of Euzhan Palcy
What to Watch on Netflix: April 2025
Female Filmmakers in Focus: Fleur Fortuné on “The Assessment”
Ambient Comedy: Carson Lund on “Eephus”
Finding a Way Home: André Holland Never Rests
Can’t Stop the Vilanch: Legendary Comedy Writer Spills on the Creation of His Career’s Guiltiest Pleasures
Movies for the Freaks: Mark Anthony Green on “Opus”
SXSW Film Festival 2025: The Baltimorons, For Worse, Magic Hour
SXSW Film Festival 2025: One More Shot, Mermaid, Sweetness
Karen Jankel, Daughter of Author Michael Bond, Tells Stories of London’s Lovable Paddington Bear
Having a Lunatic’s Dream: Emily Bett Rickards on “Queen of the Ring”
The Antidote for Fear: Natalie Morales on “My Dead Friend Zoe”
Sex, Love and Pickles: Amy Irving, Peter Riegert and Susan Sandler on “Crossing Delancey”
Writing Her Way: Marya E. Gates on Her New Book
Intro to Women Writers Week
He Never Made the Same Choice Twice: 10 of Our Favorite Gene Hackman Performances
Screwball in Vermont: “Baby Boom”
Pay Attention Now: Gretchen Mol and Juliana Margulies on “Millers in Marriage”
I Think Of Them As The Work: Gene Hackman (1930-2025)
February 2025 Blu-Ray Guide: “Wicked,” “Nosferatu,” “Here,” “Heretic,” More
Movies to Watch if You Love Bad Bunny
30 Minutes On: “Watership Down”
Talkin’ About His Generation: New Book Chronicles the Making of Millennial Touchstone “Superbad”
HBO’s “The White Lotus” Remains Worth the Trip in Brilliant Third Season
In the Name of Friendship: Matthew Rankin on “Universal Language”
“El Norte” Screening Commemorates Sundance Institute History at Pivotal Moment
Female Filmmakers In Focus: Zeinabu irene Davis on “Compensation”
What to Watch on Netflix: February 2025
Sundance 2025: All That’s Left of You, Magic Farm, Didn’t Die
Sundance 2025: Table of Contents
Sundance 2025: Sabar Bonda (Cactus Pears), DJ Ahmet, André Is an Idiot
Sundance 2025: Train Dreams; Sorry, Baby
“Your Friendly Neighborhood Spider-Man” Brings Marvel’s Web-Slinger Down to Street Level
Sundance 2025: Brides, Where the Wind Comes From, Two Women
“The Night Agent” Raises the Stakes and Reinvents Itself In Season Two
Apple TV+ Misses the Mark With Conspiracy Thriller “Prime Target”
Sundance Film Festival 2025 Preview: 20 Films We Can’t Wait to See
The Future of the Movies, Part 4: The Necessity of Discovery
Somehow, James Gunn Always Gets You: An Appreciation of “Creature Commandos”
Book Excerpt: Foreword to The Wes Anderson Collection: Asteroid City by David Bordwell
This is Just the Beginning: Pamela Anderson on “The Last Showgirl”
The Trauma of Inevitability: Brady Corbet and Mona Fastvold on “The Brutalist”
December 2024 Blu-Ray Guide: “The Wild Robot,” “Conclave,” “Alien: Romulus,” More
14 Underrated Movies of 2024
The Wicked Witch Is Dead: The Double-Bind of the Villainess’s Backstory
The Great Craft of 2024
Process the Environment: Rachel Morrison on “The Fire Inside”
The Great Performances of 2024, Part One
The 10 Best Horror Films of 2024
The 25 Best TV Series of 2024
Two Thumbs Up! The Individual Top Tens of 2024
A Moral Compass: Ben Chaplin, Leonie Benesch, and Tim Fehlbaum on “September 5”
Plant the Tree: RaMell Ross, Ethan Herisse, Brandon Wilson, and Aunjanue Ellis-Taylor on “Nickel Boys”
Margo Martindale Anchors the Clever, “Fargo”-esque Tale of “The Sticky”
Ted Danson Stars in Lovely, Moving “A Man on the Inside”
Apocalypse Then: Godzilla Minus One Minus Color
Coming of Consciousness: Tyler Taormina on Christmas Eve in Miller’s Point
Female Filmmakers in Focus: Hannah Peterson on “The Graduates”
Eddie Redmayne, Lashana Lynch Bring Gravity to “The Day of the Jackal”
