Heart Condition
Directed by
Written
Written Movie Reviews
Blog Posts That Mention Written
Gray’s “Elegy Written in a Country Churchyard”
Written in the Flesh: A Crash Course in David Cronenberg
Black history written with lightning
“Gears of War: Reloaded” Writes a New Chapter in the Console Wars
The Most Significant Movie Ever Made
You Don’t Know What Your Time Is Like Until Later: Alex Russell on “Lurker”
Josh Larsen on the Return of Cinema Interruptus
Female Filmmakers in Focus: Hind Meddeb on “Sudan, Remember Us”
Apple TV+’s Meditative and Epic “Chief of War” Demands To Be Seen
Two Become One: Dave Franco, Alison Brie, and Michael Shanks on “Together”
Life is Like a Piano: Tom Lehrer (1928-2025)
“King of the Hill” Slides Right Back into Confidently Funny Rhythms
Enjoy Every Second: Adam Stein and Zach Lipovsky on “Final Destination Bloodlines”
Final Volume of “The Sandman” Solidifies Its Legacy In the Growing Realm of Fantasy Television
Our Minds Have Been Colonized: Ari Aster on “Eddington”
Book Excerpt: It Can’t Rain All the Time by Alisha Mughal
30 Minutes On: “Nashville”
American Badass: Michael Madsen (1957-2025)
Light the Fuse: Lalo Schifrin (1932-2025)
FX’s “The Bear” Serves Another Course Of Dreamlike Intensity in Season Four
Cure Your Insomnia with Prime Video’s “Countdown”
Friendship Is Insane: Eva Victor on “Sorry, Baby”
Intro to Our Juneteenth Edition of Black Writers Week 2025
Ossie Davis and Ruby Dee
Then They Will Learn: The Truth Behind Juneteenth
“Zola,” “Anora,” and the DEI Mirage
The 20 Best Films of 2025 So Far
Gifts in the Impediment: Nina Conti and Shenoah Allen on “Sunlight”
Dancing With Death: Mike Flanagan on “The Life of Chuck”
How Ving Rhames Became the True Heart of the Mission: Impossible Franchise
Owen Wilson Brings Clever, Funny “Stick” in Under Par
Humanizing the Sharks: Sean Byrne on “Dangerous Animals”
A Great Businessman in the Persona of a Wonderful Entertainer: Todd Purdum on Desi Arnaz
59th Karlovy Vary Film Festival Announces Official Selection and Juries
Cannes 2025 Video #7: Critics’ Roundtable
Cannes 2025: Sentimental Value, Romería, The History of Sound
Cannes 2025: Nouvelle Vague, A Magnificent Life
Cannes 2025: My Father’s Shadow, Enzo, Dalloway
Cannes 2025 Video #2: Isaac Feldberg on Eddington, Chronology of Water, Left-Handed Girl, and More
J.J. Abrams, Josh Holloway Reunite on Clever if Inconsistent “Duster”
Movies without Tariffs: A Preview of the 2025 Cannes Film Festival
Remembering Jan Dawson, My Mother-in-Law (Twice)
April 2025 Blu-Ray Guide: “Anora,” “The Brutalist,” “Heart Eyes,” “One of Them Days,” More
Highlights from the 2025 MUBI Fest Chicago
Transformation and Rebirth: Constance Tsang on “Blue Sun Palace”
The Second Season of “Andor” Stands Tall
The Dream Within the Fairy Tale: Emilie Blichfeldt on “The Ugly Stepsister”
There’s No Catharsis: David Cronenberg on “The Shrouds”
“Black Mirror” is Back to Bum You Out with One of Its Stronger Seasons
He Communicated with Forces that Were Not in the Norm: Oliver Stone on Directing Val Kilmer
Revisiting the Bunker: Michael Shannon on “Eric LaRue”
“Hacks” Returns at the Peak of Its Comedic Powers
Female Filmmakers in Focus: The Films of Euzhan Palcy
What to Watch on Netflix: April 2025
Female Filmmakers in Focus: Fleur Fortuné on “The Assessment”
Ambient Comedy: Carson Lund on “Eephus”
Finding a Way Home: André Holland Never Rests
Can’t Stop the Vilanch: Legendary Comedy Writer Spills on the Creation of His Career’s Guiltiest Pleasures
Movies for the Freaks: Mark Anthony Green on “Opus”
SXSW Film Festival 2025: The Baltimorons, For Worse, Magic Hour
SXSW Film Festival 2025: One More Shot, Mermaid, Sweetness
Karen Jankel, Daughter of Author Michael Bond, Tells Stories of London’s Lovable Paddington Bear
Having a Lunatic’s Dream: Emily Bett Rickards on “Queen of the Ring”
The Antidote for Fear: Natalie Morales on “My Dead Friend Zoe”
Sex, Love and Pickles: Amy Irving, Peter Riegert and Susan Sandler on “Crossing Delancey”
Writing Her Way: Marya E. Gates on Her New Book
Intro to Women Writers Week
He Never Made the Same Choice Twice: 10 of Our Favorite Gene Hackman Performances
Screwball in Vermont: “Baby Boom”
Pay Attention Now: Gretchen Mol and Juliana Margulies on “Millers in Marriage”
I Think Of Them As The Work: Gene Hackman (1930-2025)
February 2025 Blu-Ray Guide: “Wicked,” “Nosferatu,” “Here,” “Heretic,” More
Movies to Watch if You Love Bad Bunny
30 Minutes On: “Watership Down”
Talkin’ About His Generation: New Book Chronicles the Making of Millennial Touchstone “Superbad”
HBO’s “The White Lotus” Remains Worth the Trip in Brilliant Third Season
In the Name of Friendship: Matthew Rankin on “Universal Language”
“El Norte” Screening Commemorates Sundance Institute History at Pivotal Moment
Female Filmmakers In Focus: Zeinabu irene Davis on “Compensation”
What to Watch on Netflix: February 2025
Sundance 2025: All That’s Left of You, Magic Farm, Didn’t Die
Sundance 2025: Table of Contents
Sundance 2025: Sabar Bonda (Cactus Pears), DJ Ahmet, André Is an Idiot
Sundance 2025: Train Dreams; Sorry, Baby
“Your Friendly Neighborhood Spider-Man” Brings Marvel’s Web-Slinger Down to Street Level
Sundance 2025: Brides, Where the Wind Comes From, Two Women
