Into the Grizzly Maze
Into the Grizzly Maze is so grating in its retrograde chest-thumping that it might as well be sponsored by so-called Men's Rights activists.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A review of FOX's Wayward Pines, from director M. Night Shyamalan.
Remembrances of Philip Seymour Hoffman.
Nell Minow interviews Shari Springer Berman and Robert Pulcini, the directors of the new drama "Girl Most Likely," starring Kristen Wiig.
Marie writes: Holy crap! THE KRAKEN IS REAL!" Humankind has been looking for the giant squid (Architeuthis) since we first started taking pictures underwater. But the elusive deep-sea predator could never be caught on film. Oceanographer and inventor Edith Widder shares the key insight - and the teamwork - that helped to capture the squid on camera for the first time, in the following clip taken from her recent TED talk." And to read more about the story, visit Researchers have captured the first-ever video footage of a live giant squid at i09.com
"I believe that if, at the end, according to our abilities, we have done something to make others a little happier, and something to make ourselves a little happier, that is about the best we can do. To make others less happy is a crime. To make ourselves unhappy is where all crime starts. We must try to contribute joy to the world. That is true no matter what our problems, our health, our circumstances. We must try. I didn't always know this, and am happy I lived long enough to find it out." - from LIFE ITSELF
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From the Grand Poobah: Netflix is great, but they don't have everything and seem to be weak on silent films. Here's a pay site streaming a large and useful selection of high-quality films, world-wide....
Marie writes: when Roger told me about this place, I signed-up to see if I could watch one their free movies? Yup! I can stream MUBI in Canada; though content will vary depending on where you live (that's also case with Netflix Canada) and so nothing new there. And after looking through their current catalog, I can report that they do indeed have some rare movies - stuff I've never found anywhere else. I even read that Martin Scorcese is a member.
From the Big Kahuna: Yes, this is the front of the Virginia Theater in Champaign-Urbana, where Ebertfest is held every year. The old marquee was showing its age, and will be replaced by the time Ebertfest 2011 is held on April 27-30. Update: I read in the Champaign-Urbana News-Gazette that the new marquee is still in design, but park officials expect it to be a better complement to the theater's Italian Renaissance-style architecture and resemble the 1921 original marquee. When concepts are finalized, they will go before the park board for approval.
Ten things I learned while talking with Nicolas Cage:
Gwyneth Paltrow starred in the stage version of “Proof” (2005), the story of a brilliant mathematician’s equally brilliant daughter. When her father (Anthony Hopkins) becomes mentally ill, she cares for him; after his death, her sister (Hope Davis) and her boyfriend (Jake Gyllenhaal) disagree about her future. Meanwhile, who wrote the earth-shaking mathematical proof found in her father’s locked drawer?
TORONTO – Is the Toronto Film Festival the most important in the world, or does it only seem that way? In recent years I’ve described it as second only to Cannes. Now the Toronto critic Liam Lacey says flatly: “Toronto now has the most important film festival in the world -- the largest, the most influential, the most inclusive.” Yes, you say, but he is a Canadian, so of course he thinks that. Lacey is ready for you: “One reason the Toronto festival has probably not received its full recognition is, frankly, because it takes place in Canada.”
PARK CITY, Utah -- "The Matador" sounds on paper like a formula film, the kind of generic dreariness you expect Sundance to avoid.
Ebert's Best Film Lists 1967 - present
CANNES, France -- I have seen seven movies here since my last report, and together they will not gross as much as the popcorn sales for "The Matrix Reloaded" in one good-sized state--California, say. I moderated a panel of independent American directors Saturday, put together by the Independent Film Channel at the Variety Pavilion, and "The Matrix" loomed like a thundercloud over the table. As box office records were falling like so many clones of Agent Smith, here we were talking about retarded ice-fishermen in Wisconsin, and a Cleveland file clerk who inspired an underground comic book.
CANNES, France--Three conversations at Cannes:
PARK CITY, Utah--Wrapping up the final films I saw at Sundance this year:
PARK CITY, Utah--Now the buzz has taken over, and I am seeing mostly good, sometimes great, films. You open the Sundance catalog on the first day of the festival and choose your films for the first weekend, and after that you go where the buzz sends you, because audiences are always honest.
TORONTO -- The Toronto Film Festival used to unfold grandly over 10 days. Now it seems to run for a weekend, plus added attractions. The opening three days are so insanely front-loaded that critics go nuts trying to map out their schedules; they stand in the lobby of the Varsity, crossing screenings off their lists.
TORONTO You hurry between theaters, barely enough time between curtains, and one gift after another comes from the screen. Your only regret is that for every good film you see, the people next to you are describing three you missed. This is the payoff after a slow summer at the movies, when it sometimes seemed directors were no longer swinging for the fences, but just happy to get on base.