God knows how many millions of dollars and hours of manpower went into making and remaking Geostorm but it turns out to have been all…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An article about this year's Heartland Film Festival, running October 12-22.
A celebration of the cult classic "The Adventures of Buckaroo Banzai Across the 8th Dimension," in light of the film's release on Shout! Factory Blu-ray.
A recap of the latest and greatest on Blu-ray, including Jurassic World, Spy, Tomorrowland, Call Me Lucky, and The Larry Fessenden Collection.
The January 2015 excerpt from Bright Wall/Dark Room on Mike Nichols' "Wit".
Of late, I've been thinking about how I got here. Here, in love with movie watching and movie making. Here, in a design school in India, and not an engineering college or a medical school like predetermined for most Indian students. Here, in correspondence with a huge role model of mine. Here, doing what I love.
Marie writes: my art pal Siri Arnet sent me following - and holy cow! "Japanese artist Takanori Aiba has taken bonsai trees, food packaging, and even a tiny statue of the Michelin Man and constructed miniature metropolises around these objects, thus creating real-life Bottled Cities of Kandor. Explains Aiba of his artwork:"My source of creations are my early experience of bonsai making and maze illustration. These works make use of an aerial perspective, which like the diagram for a maze shows the whole from above (the macro view) while including minute details (the micro view). If you explore any small part of my works, you find amazing stories and some unique characters." ( click to enlarge.)
Fasten your seat belts: "Ridefilm" is coming. Sony IMAX announced last week it is scouting two Chicago area locations for installations that will marry movies and moving platforms to create rides that give you the sensation of hurtling through space and time.