In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_oax1ohn3ltgrf3vlh5ff28w0yjn

Mr. Turner

Filmmaker Mike Leigh's biography of the landscape painter J.M.W. Turner is what critics call "austere"—which means it's slow and grim and deliberately hard to love—yet…

Thumb_hkvkhuuugjj4jrxkkvqoq5jnqx5

Annie

The new version of "Annie" is fashionably artificial and not very well directed, but its unabashed good cheer is very welcome.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Channel Archives
Primary_henry-fonda-barbara-stanwyck-preston-sturges-lady-eve

Women Writers Week: Table of Contents

This week, all of our content on the site is written by women. We'll update this table of contents page with links to new pieces as they go up.

Essays

Chaz Ebert's Introduction to Women's Week

Alyssa Rosenberg, "Lovers, Mothers, Sisters, Freedom Fighters, Friends: Five Memories from My Year of Watching Women"

Nell Minow, "Utterly Modern: The Charisma of Barbara Stanwyck"

Christy Lemire, Sheila O'Malley and Susan Wloszczyna, "On 'Ms. 45' and Revenge Movie Feminism"

Sheila O'Malley, "My Favorite Roger: 'Kwik Stop'"

Joyce Kulhawik, "Love Yourself — Powerfully: Lessons to My Younger Self"

Jemima Bucknell, "Man-made Woman: What We Can Learn from 'Ja'mie: Private School Girl'"

Olivia Collette, "Dr. Ryan Stone: Everything a Typical Female Movie Character Is Not."

Susan Wloszczyna, "John Lee Hancock on "Saving Mr. Banks."

Vex Poet, "Who Represents? On "Laurence Anyways" and Trans Characters in Film."

Anne Elizabeth Moore, "Is Blue a Straight Color? On "Blue is the Warmest Color" and Representing Lesbians."

Carrie Rickey, "Fire and Ice: On Box Office for FIlms with Women as Protagonists."

Reviews

"American Hustle" Christy Lemire

"The Crash Reel" Marsha McCreadie

"Here Comes the Devil" Jen Chaney

"The Hobbit: The Desolation of Smaug" Sheila O'Malley

"Hours" Susan Wloszczyna

"Nuclear Nation" Joyce Kulhawik

"The Punk Singer" Marsha McCreadie

"Saving Mr. Banks" Susan Wloszczyna

"Some Velvet Morning" Christy Lemire

"Trap for Cinderella" Christy Lemire

More from our women contributors from the archives:

Jen Chaney looks at teen girl protagonists and the curious case of "The To Do List."

Olivia Collette on Agnès Varda's film "The Gleaners and I."

Olivia Collette reviews "Laurence Anyways."

Christy Lemire has an in-depth profile of director Susan Seidelman

Jana Monji considers a documentary about the Miss Navajo beauty pageant.

Jana Monji muses on Audrey Hepburn's iconic little black dress in "Breakfast at Tiffany's."

Jana Monji looks at Jonathan Caouette's film about his mother, "Walk Away Renee."

Lisa Nesselson has a reflection on the career of French New Wave icon Bernadette LaFont.

Carrie Rickey considers the changing images of women on film from the 1970s until now.

Rebecca Theodore-Vachon puts "12 Years a Slave" in the context of Black "respectability politics."

Grace Wang offers a video discussion of Mike Leigh's "Another Year."

Grace Wang goes in-depth on Ang Lee's "Lust, Caution."

Grace Wang muses on why we go to movies, reflecting on LiXin Fan's "Last Train Home."

Susan Wloszczyna wonders whether women directors might save comic-book movies.

Popular Blog Posts

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

The Ten Best Films of 2014

The ten best films of 2014, as chosen by the film critics of RogerEbert.com.

10 Underrated Female Performances of 2014

Ten underrated female performances from 2014 worthy of Oscar consideration.

Roger Moore's Best: "The Spy Who Loved Me"

An FFC comments on Roger Moore's best James Bond film, "The Spy Who Loved Me."

Reveal Comments
comments powered by Disqus