This is one of the year’s best movies.
Roger Ebert became film critic of the Chicago Sun-Times in 1967. He is the only film critic with a star on Hollywood Boulevard Walk of Fame and was named honorary life member of the Directors' Guild of America. He won the Lifetime Achievement Award of the Screenwriters' Guild, and honorary degrees from the American Film Institute and the University of Colorado at Boulder. Since 1989 he has hosted Ebertfest, a film festival at the Virginia Theater in Champaign-Urbana. From 1975 until 2006 he, Gene Siskel and Richard Roeper co-hosted a weekly movie review program on national TV. He was Lecturer on Film for the University of Chicago extension program from 1970 until 2006, and recorded shot-by-shot commentaries for the DVDs of "Citizen Kane," "Casablanca," "Floating Weeds" and "Dark City," and has written over 20 books.
Andy Warhol forgot to come to Chicago again Thursday. "It's a funny thing," the pop artist and underground filmmaker said. "It's like I keep forgetting to come to Chicago."
On the sidewalk in front of the Ivanhoe Theatre, the watchers were watching the watchers watched. There were six television cameras and the lights and announcers to attend to them, a couple of dozen newspaper reporters, and a large quantity of adolescent girls and neighborhood ladies. There were no police lines to separate these people into the professionally and the merely curious, and so they seeped back and forth through each other like the tide, first the cameramen and then the neighborhood ladies being thrown up upon the curb.
It will happen like this. A nurse will lead M clown an antiseptic corridor to a door without a number. She will open the door and step back to reveal a darkened room. M, peering into the gloom, will discover a figure swathed in bandages and sitting in a wheelchair.
It's a game you get to play everywhere, because so many people have seen "Blow-Up," and most of them want to talk about it. Movies that require you to figure things out for yourself always leave a lot of frustrated customers behind.
The first thing after the lights went out was this little pudding-faced girl on the screen, jammed into a subway crowd, trying to buy her ticket and get through the gates and onto the train.
Dick Van Dyke's new film is titled "Divorce American Style," and he can't get over it.
Robert Morley opened the door and stood inside, beaming and nodding and making desperate gestures with his right hand, which held a large pocket-handkerchief.
To begin with there was a little girl out in the hallway with long black hair and white bell-bottom trousers. She was sitting on a bench by the elevator, looking across the hallway into a mirror, which showed her sitting on a bench by the elevator.
HOLLYWOOD - "The mustard! Watch the blasted mustard!"
"One of the times I remember best," Bob Hope said, "was the night they changed the script on Humphrey Bogart.