Cannes: Ryan Gosling’s “Lost River” earns derision, but dazzles too
Ryan Gosling’s feature directorial debut is hardly the “disasterpiece” detractors claim.
Ryan Gosling’s feature directorial debut is hardly the “disasterpiece” detractors claim.
A day-seven report from Cannes on Wim Wenders’ The Salt of the Earth and Andre Techine’s In the Name of My Daughter.
A ranking of the ten best winners of the Palme d’Or before 2014 adds a new film to the exclusive club.
20 years after it debuted at Cannes, a 4K restoration of the director’s cut of “La Reine Margot” finally makes its way to the United States.
The 2014 Cannes Film Festival continues with reports on the Dardennes’ “Two Days, One Night” and Zhang Yimou’s “Coming Home.”
New films from Israel and Spain address a changing world for kids and young adults.
A day-six report from Cannes on Still the Water, A Girl at My Door, and Bird People.
Cannes Flashback #7: Hollywood Plays It Safe, Sorry
Cannes Flashback #6: Bold and Beautiful Show Their Cannes-Do Spirit
Cannes Flashback #5: The Festival Comes Into Focus
A Cannes report on the new Bennett Miller film, Foxcatcher, starring Channing Tatum, Mark Ruffalo, and Steve Carell.
Our first video segment from the 2014 Cannes Film Festival.
A counterpoint opinion on David Cronenberg’s “Map to the Stars.”
Frederick Wiseman reflects on art—including his own films—in “National Gallery.”
Barbara Scharres Reports on the World Premiere of David Cronenberg’s Map to the Stars.
Life Itself, an interview with Steve James & Chaz Ebert, and “The Roger Ebert Critics Panel” all take place this week in France.
Day five at Cannes sees an analysis of Tommy Lee Jones’ “The Homesman” in light of continued issues with gender equality at the fest.
Abel Ferrara’s thinly veiled take on Dominique Strauss-Kahn screened off-fest.