If We Picked the Winners: Best Picture
Matt Zoller Seitz presents the RogerEbert.com pick for Best Picture: “12 Years a Slave”.
Matt Zoller Seitz presents the RogerEbert.com pick for Best Picture: “12 Years a Slave”.
Katherine Kilkenny, one of the Roger Ebert Fellowship recipients at the Sundance Film Festival, talks to Foley artists about sound effects.
Susan Wloszczyna presents the RogerEbert.com pick for Best Actress: Cate Blanchett.
Odie Henderson champions Chiwetel Ejiofor as the Best Actor of 2013.
Three filmmakers talk about their different challenges in adapting for the screen from a novel, a memoir and histirical accounts.
The makers of three films from the 2014 Sundance Film Festival muse on the challenges of adaptation.
Links to all the essays about our picks for who deserves Oscars during this week-long event. Updated daily.
Ebert Scholarship recipient Carlos Aguilar talks to four filmmakers from around the globe about American cinema,
American audiences, and their experiences at the 2014 Sundance Film
Festival.
Peter Sobczynski makes the case for Alfonso Cuaron to win the Oscar for Best Director.
Olivia Collette argues for The Act of Killing to be named the Best Documentary of 2013.
Nell Minow makes the case for Best Original Screenplay for Spike Jonze’s “Her.”
Erik Childress analyzes the impact of the recently-awarded BAFTAs on the Oscar race.
Brian Tallerico champions “Before Midnight” for Best Adapted Screenplay.
Omer M. Mozaffer champions Barkhad Abdi for Best Supporting Actor of 2013.
Glenn Kenny champions Lupita Nyong’o for Best Supporting Actress of 2013.
Three films at the Sundance Film Festival explored the power of making the camera see from the perspective of someone in the film.
Peter Bart has set up a straw-man argument about critics, Academy voters and “entertainment value.” Erik Childress takes it apart.
The Producers Guild, the Writers Guild and the Directors Guild have all weighed in. How good are they as predictors of the Oscars?
Director Alex Ross Perry (“Impolex”, “The Color Wheel”) discusses cinephilia, cynicism, artistic betrayal and the death of film.
Eirk Childress looks at the track record of films from the Sundance Film Festival going to the Oscars.