Cannes: John Boorman’s “Queen and Country” and Xavier Dolan’s “Mommy”
Boorman and Dolan depict two very different experiences of adolescence.
Boorman and Dolan depict two very different experiences of adolescence.
Barbara Scharres is back with a Cannes report on the premiere of Jean-Luc Godard’s 3D “Goodbye to Language.”
Our Cannes reporter sees critical icebergs ahead for Michel Hazanavicius’ “The Search.”
Ryan Gosling’s feature directorial debut is hardly the “disasterpiece” detractors claim.
A day-seven report from Cannes on Wim Wenders’ The Salt of the Earth and Andre Techine’s In the Name of My Daughter.
A ranking of the ten best winners of the Palme d’Or before 2014 adds a new film to the exclusive club.
20 years after it debuted at Cannes, a 4K restoration of the director’s cut of “La Reine Margot” finally makes its way to the United States.
The 2014 Cannes Film Festival continues with reports on the Dardennes’ “Two Days, One Night” and Zhang Yimou’s “Coming Home.”
New films from Israel and Spain address a changing world for kids and young adults.
A day-six report from Cannes on Still the Water, A Girl at My Door, and Bird People.
Cannes Flashback #7: Hollywood Plays It Safe, Sorry
Cannes Flashback #6: Bold and Beautiful Show Their Cannes-Do Spirit
Cannes Flashback #5: The Festival Comes Into Focus
A Cannes report on the new Bennett Miller film, Foxcatcher, starring Channing Tatum, Mark Ruffalo, and Steve Carell.
Our first video segment from the 2014 Cannes Film Festival.
A counterpoint opinion on David Cronenberg’s “Map to the Stars.”
Frederick Wiseman reflects on art—including his own films—in “National Gallery.”
Barbara Scharres Reports on the World Premiere of David Cronenberg’s Map to the Stars.