Sometimes It Snows in April: Images of Prince
An essay on Prince’s masculinity, artistry and blackness.
An essay on Prince’s masculinity, artistry and blackness.
The staff of RogerEbert.com shares their memories of Prince.
Fans, fiction and representation; Emer Kinsella on a life in music; Glenn Kenny on “The Girlfriend Experience”; LAPD officer performs a rescue; Why we grieve artists we haven’t met.
A tribute to the late Israeli actress and filmmaker Ronit Elkabetz.
Mark Caro investigates the comedic viability of classic funny films with a new series at the Music Box Theatre.
Karyn Kusama is not going away; Why music biopics fall flat; Pupinia Stewart is stealing my sanity; Interactive storytelling reshaping cinema; Price of “Girlfriend Experience” too high.
An excerpt from the April 2016 issue of Bright Wall/Dark Room about “The Hours.”
A tribute to the late Jim Ridley from friend and colleague, Noel Murray.
Brad Bischoff on “The Grasshopper”; Seismic shift in the film festival world; Relevance of “The Second Civil War”; Ta-Nehisi Coates on “Black Panther”; Ode to “Bad News Bears.”
One of our critics looks at what “Batman v Superman: Dawn of Justice” says about life in 2016.
A look at some of Roger’s best journal writing.
Robert Drew is not a household word, but he should be; all modern documentary cinema comes from 1960s innovations by him and his collaborators.
An interview with the director of “The Little Deputy” and a presentation of the short film.
30 Minutes on the latest by Jeff Nichols (“Take Shelter,” “Mud”).
A reposting of Tina Hassannia’s article from Movie Mezzanine, and the response it received from Peter Becker, president of the Criterion Collection.
Dorothy Malone on “The Fast and the Furious”; Forgotten female action stars; Lynn True and Nelson Walker on “In Transit”; Donald Trump’s abortion logic; Why Christians hate Christian movies.
A celebration of the Alliance of Women Film Journalists on their tenth anniversary.
Monica Castillo responds to our Movie Love Questionnaire.
A look at Sam Peckinpah’s relationship with violence and women in light of a retrospective at The Lincoln Center in New York.