The Feminine Grotesque: On The Warped Legacy of Joan Crawford
An essay on the legacy of actress Joan Crawford.
An essay on the legacy of actress Joan Crawford.
A preview of dozens of films coming out this summer.
An appreciation for Prince’s 1986 directorial debut and “Purple Rain” follow-up, “Under the Cherry Moon.”
An interview with the director of “One Year Lease” and a presentation of the short film.
Meryl Streep’s tragic romance; Algorithm killed Relativity Media; David Milch stays in the game; Appreciation of “Nine Lives”; Veronica Cartwright on “Alien.”
A restoration of Eagle Pennell’s 1983 film “Last Night at the Alamo” will screen this week at L.A.’s Cinefamily.
A piece on two recent Dario Argento re-releases, “Deep Red” and “Tenebrae.”
An essay on Prince’s masculinity, artistry and blackness.
The staff of RogerEbert.com shares their memories of Prince.
Fans, fiction and representation; Emer Kinsella on a life in music; Glenn Kenny on “The Girlfriend Experience”; LAPD officer performs a rescue; Why we grieve artists we haven’t met.
A tribute to the late Israeli actress and filmmaker Ronit Elkabetz.
Mark Caro investigates the comedic viability of classic funny films with a new series at the Music Box Theatre.
Karyn Kusama is not going away; Why music biopics fall flat; Pupinia Stewart is stealing my sanity; Interactive storytelling reshaping cinema; Price of “Girlfriend Experience” too high.
An excerpt from the April 2016 issue of Bright Wall/Dark Room about “The Hours.”
A tribute to the late Jim Ridley from friend and colleague, Noel Murray.
Brad Bischoff on “The Grasshopper”; Seismic shift in the film festival world; Relevance of “The Second Civil War”; Ta-Nehisi Coates on “Black Panther”; Ode to “Bad News Bears.”
One of our critics looks at what “Batman v Superman: Dawn of Justice” says about life in 2016.
A look at some of Roger’s best journal writing.
Robert Drew is not a household word, but he should be; all modern documentary cinema comes from 1960s innovations by him and his collaborators.