
“He Stood on a Firm Piece of Earth”: John Patrick Shanley on Moonstruck director Norman Jewison
John Patrick Shanley, who won an Oscar for writing “Moonstruck,” talks about working with the film’s director, the late Norman Jewison
John Patrick Shanley, who won an Oscar for writing “Moonstruck,” talks about working with the film’s director, the late Norman Jewison
An essay by Sarah Welch-Larson about Showing Up, excerpted from the January 2024 edition of online magazine Bright Wall/Dark Room.
An essay about how the experiences of teachers were memorably portrayed on film in 2023.
A look back at Coppola’s underrated musical, returning this week in a restored re-release.
A reappreciation of one of Bergman’s movies that hasn’t received as much attention as it should.
The first essay in a new series about where movies are going.
A look back at the power and sustained relevance of Steven Spielberg’s Oscar winner.
A feature on the boom of coming-of-age films in 2023 and how few of them reflected the Black experience.
A great new short about the deaf community in prison.
On some of the best craft of the year in film, including The Boy and the Heron, The Holdovers, All Dirt Roads Taste of Salt, Poor Things, and many more.
A feature on a film that bombed in the States but has become a holiday classic in its home country.
On some of our favorite performances of the last year in film.
A report from the November screening of The Color Purple, with a very special panel.
The individual top ten lists submitted by the writers of this site.
A look back at one of the best films of the 2010s on its anniversary.
On the ten best horror films of the year, according to critic Katie Rife.
A feature on key uses of pop and rock music in GoodFellas, Raging Bull, Wolf of Wall Street, Mean Streets, The Departed, and more.
A look at a powerful new short film by Charles Tenzis.