
11:11 – Eleven Reviews by Roger Ebert from 2011 in Remembrance of His Transition 11 Years Ago
Roger Ebert transitioned 11 years ago today. We are looking back at eleven of his reviews from the year 2011.
Roger Ebert transitioned 11 years ago today. We are looking back at eleven of his reviews from the year 2011.
Vera Drew’s subversive superhero satire is just the latest movie that had to navigate a sea of lawyers to get to the big screen.
The director of Poetry and Burning gets a retrospective at the Metrograph starting this weekend. Don’t miss it.
The pandemic robbed a lot of good movies of a chance to be seen in theaters. Why not give them another chance?
Our short film series spotlights a timely film that takes place in an immigration office.
The 78-year-old renaissance man has worked with terrific filmmakers across his career. And yet his movies always have his personal stamp, always feeling like they’re emanating from his essence.
There’s a different kind of pleasure in watching an old master at work.
Twenty years ago, Tom Hanks starred in what is widely considered the Coen brothers worst film. It’s a good time to look back at how The Ladykillers (as well as two other films released that year) fits into the star’s career.
A stealth candidate for the greatest film of 1999.
Five years ago, Jordan Peele unleashed his follow-up to the Oscar-winning Get Out, and audiences tripped over each other to unpack its many meanings. The film not only redefined the way we approach puzzle films, but how we should look at Peele’s entire career.
A salute to the directors—including Barry Jenkins, Christopher Nolan and Wayne Wang—who did a lot with very little money.
Our series on the future of film gets to how the theatrical experience has changed through an interview with Fathom Events CEO Ray Nutt.
The Bourne Identity director made headlines by threatening to boycott the premiere of his new movie, Road House. It’s just the latest example of how this idiosyncratic filmmaker can often be his own worst enemy—even when his movies end up being great.
The musician’s new documentary In Restless Dreams briefly mentions his failed 1980 film One-Trick Pony. But that muted, uneven drama deserves a second look for what it says about the man who made it.
Before Meet the Parents established the Raging Bull Oscar-winner as a comedy superstar, this 1999 hit first signaled De Niro’s pivot from serious to funny, for better or worse.
The glamour inside, the protests outside, and everything in between.
The Oscar sandwich: a slab of gloriousness between two slices of bad
On the interesting POV of the upcoming Jeff Nichols film.
A look at the recent non-fiction films by and about Latinas.
An interview with the director of a new film starring Rita Moreno.