There’s Something About “Blade Runner”
A new look at the role of hero and villain in Ridley Scott’s “Blade Runner.”
A new look at the role of hero and villain in Ridley Scott’s “Blade Runner.”
The right kind of 90s nostalgia; Cynthia Rothrock: Expendabelle; Favorite Fincher moments; Ten underrated 2014 performances; Chatting with Whit Stillman.
David Chase comments on Tony Soprano’s fate; How writers find their voices; The ‘Star Wars’ Lucas wants to forget; 20 overlooked 60s thrillers; Hollywood’s new hit factory.
A feature about John Alvin, movie poster artist and the subject of “The Art of John Alvin.”
Patty McCormack in “The Bad Seed”; Congress harasses Laverne Cox; Remembering Richard Attenborough; Frank Miller’s Dark Night; Reflections on “One Hour Photo.”
Lord Richard Attenborough, legendary director and actor, has passed away at the age of 91.
Much progress has been made in representing African-American life onscreen, but there’s a long way to go.
Dangers facing journalists like James Foley; 11 things that shouldn’t be said to black people; Mara Wilson on Robin Williams; Reflections on “The Big Sleep”; R.I.P. Leonard Maltin’s Movie Guide.
Roderick Heath on “We Are the Best!”; The whiplash of journalism; Hollywood’s secret sequel economy; Chatting with Seth Meyers; Kirk Douglas on Lauren Bacall.
“Let’s Be Cops” and Michael Brown; Forgive Damon Lindelof; Stop writing dystopian sci-fi; Reflections on “The Darjeeling Limited”; Temporal anxieties in 2014 films.
An examination and appreciation of one of Robin Williams’ greatest films, “The Fisher King.”
There’s nothing selfish about suicide; “Garden State” does not hold up; Looking back at “The Abyss”; America is not for black people; The problem with “Persecuted.”
Gilbert Gottfried on Robin Williams; Remembering Lauren Bacall; Paying attention; Tyler Ross shines in “The Killing”; Reflections on “Lawrence of Arabia.”
The writers of RogerEbert.com reflect on the life, career and death of Robin Williams.
There’s something unique in
writer/director Linklater’s approach to verisimilitude, and it’s particularly
interesting in contrast with other films with which “Boyhood” shares a kinship.
This is an excerpt from the August 2014 issue of “Bright Wall/Dark Room” on “Joe vs. the Volcano.”
The second part of a feature on the work of Joel & Ethan Coen.
Why jazz sucks; The effects of dwindling film stock; What “Planet of the Apes” says about the state of the world; Harry Shearer as Richard Nixon; The drawbacks of “liking” on Facebook.