Hustlers
Seeing Lopez’s best screen work since her early heyday of Selena and Out of Sight isn’t the only reason to check out writer/director Lorene Scafaria’s…
Treat Williams
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Confirmation (2016)
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Ted Kennedy
Brian Tallerico -
In the Blood (2014)
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Brian Tallerico -
Barefoot (2014)
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Jason Wheeler
Susan Wloszczyna -
Reaching for the Moon (2013)
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Robert Lowell
Christy Lemire -
127 Hours (2010)
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Aron's dad
Roger Ebert -
Howl (2010)
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Mark Schore
Roger Ebert -
Miss Congeniality 2: Armed and Fabulous (2005)
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Collins
Roger Ebert -
Hollywood Ending (2002)
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Hal
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The Deep End Of The Ocean (1999)
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Pat
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Deep Rising (1998)
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Finnegan
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The Devil's Own (1997)
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Billy Burke
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The Phantom (1996)
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Xander Drax
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Mulholland Falls (1996)
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Fitzgerald
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Things to Do in Denver When You're Dead (1996)
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Critical Bill
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Smooth Talk (1986)
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Arnold Friend
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Flashpoint (1984)
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Ernie
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Why Would I Lie? (1980)
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Cletus
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1941 (1979)
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Sitarski
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Hair (1979)
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Berger
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The Ritz (1976)
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Michael Brick
Roger Ebert
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Figuring It Out: The Films of Laura Dern
A look at how Laura Dern became one of the most adventurous actresses working today.
Milos Forman: 1932-2018
A tribute to the late Oscar-winning filmmaker, Milos Forman.
Ebertfest 2017: "Hair" and "Being There"
Reviews and screenings of "Hair" and "Being There" at Ebertfest 2017, and Q&A with producers Michael Butler and Michael Hausman by Michael Phillips, Nate Kohn and Chaz Ebert; and with Oscar-nominated Caleb Deschanel by Simon Kilmurry and Scott Mantz.
Ebertfest 2017, Day 1: Come for the Movie, Stay for the Company
A report on the first day of Ebertfest.
Stars, Music, Movies and Compassion Converge: Ebertfest 2017 Preview
Chaz Ebert provides a preview of the 19th installment of Roger Ebert's Film Festival "Ebertfest" 2017.
Holiday Gift Guide 2014: Boxed Sets and Stellar Releases
A holiday gift guide compiling RogerEbert.com's reviews of Blu-ray/DVD releases and boxed sets and a few more books from 2014.
"1941": An Appreciation and Interview with Bob Gale
An appreciation of "1941" and interview with Bob Gale.
“America” the Beautiful: Treat Williams and William Forsythe Remember Sergio Leone and “Once Upon a Time In America”
Catching up with Treat Williams and William Forsythe on the NYFF screening of and Blu-ray release of "Once Upon a Time in America."
Comic-Con 2012: Rev your engines
San Diego Comic-Con International is a celebration of cartoons, costumes and fictional and real characters. Recent years have brought increasing commercialization. Many of the panels are little more than tantalizing propaganda for upcoming TV programs and movies and the panels bare their wares as brazenly as the whores who used to walk the Gaslamp District before it became a hip place to be. But SDCC is also a venue for introducing and releasing movies that have a link to geek culture and SDCC hosts a Comic-Con International Independent Film Festival.
#46 January 19, 2011
The Grand Poobah writes: Here's a behind the scenes lookinside our control room! This is where the magic happens.
#20 July 21, 2010
"Twists of fate, love and humour, perseverance and, finally, a philosophical outlook- his story has it all." - Sarah Hampson.(click photo to enlarge) From the Globe and Mail article "You couldn't write this script" published July 19, 2010.From the Grand Poobah: "A young lady with excellent taste". (click to enlarge) "Ever since I was a child messing around with a terrible paint set from K-mart, I have been obsessed with controlling pigment suspended in water. Now I paint with divine, hand-made watercolors from Holland along with brushes ranging from high-end to dirt cheap, but the obsession remains..." - from Kelly Eddington's artist statement. To read more and see her truly wonderful watercolors, visit Kelly Eddington's Website and Gallery.
Ah, watercolors.... so easy to master; only takes decades....
Sundance and five Sundance-style movies
Scroll down for my earlier entries.
The first five Sundance entries I've seen are the kinds of film the festival exists to showcase. It is possible that many of them won't ever open in most of the places you readers live, but you've impressed me with your resourcefulness in finding them anyway (and no, I don't mean piracy). You guys demonstrate that if you want to find a movie badly enough, you often can.
One of them, "Homewrecker," is for rent right now via YouTube, in keeping with the festival's Reinvention/Rebirth/Renewal and its embrace of new distribution channels such as the net and regional art cinemas.
That one and "Armless" are playing in the new Sundance section named NEXT, which specializes in movies with "low to no budgets." The guidelines specify budgets below $500,000, and both of these look closer to half a million than to "no."
Interview with Ann-Margret (1983)
The walls of Roger Smith's office are covered with pictures of Ann-Margret. Here she is as a sex kitten, on the cover of Life. There's a cover from Entertainment World, a forgotten show business magazine. All in a row are three recent covers of People. And here are an oil painting of Ann-Margret, and a lot of cartoonist's caricatures, and some framed ads and telegrams and the usual backstage memorabilia. In one corner, almost hidden behind a file cabinet, is Roger Smith's only souvenir of his own career: A framed ad for his stage appearance as a folk singer at the "hungry i" nightclub in San Francisco, in 1964.
