A wild whirlwind of a mess, without any coherence, without even a guiding principle.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Matt writes: On August 11th, the African American Film Critics Association held its inaugural TV Honors ceremony, co-hosted by AAFCA president Gil Robertson IV and RogerEbert.com publisher Chaz Ebert. Ava DuVernay's Netflix series, "When They See Us," about the exonerated Central Park Five, earned four accolades, including Best Limited Series, Best Writing, Best Ensemble and Best Breakthrough Performance (the brilliant Jharrel Jerome).
An article about the inaugural AAFCA TV Honors ceremony held last Sunday, August 11th, in Marina Del Rey.
A tribute to the towering novelist of the Black experience, Toni Morrison, who died on August 5th at age 88.
Matt writes: On April 28th, the movie world lost a true giant: filmmaker John Singleton, whose 1991 masterpiece, "Boyz N the Hood," remains one of the most astonishing feature debuts in cinema history. Roger Ebert awarded the picture four stars, writing that it was one of "the best American films of recent years." Roger's thoughts regarding the entirety of Singleton's career were detailed in a special compilation by Nick Allen, while Odie Henderson penned a deeply moving obituary for the trailblazing auteur. I was among the writers at RogerEbert.com who paid tribute to Singleton in a separate article, "Breaking Barriers."
An interview with Kathryn Bostic, acclaimed composer of "Dear White People" and "Toni Morrison: The Pieces I Am."
A look ahead at the 112 films that will play the Sundance Film Festival in January 2019.
An interview with the writer/director of the Sundance hit "Sorry to Bother You."
A report on the PBS Press Tour's highlights for the winter and spring of 2018.
A conversation with actress Zoe Kazan about the election and her thematically appropriate horror film, "The Monster."
A report from the 2005 Cannes Film Festival.
An interview with Jean-Pierre and Luc Dardennes, directors of "Two Days, One Night."
Behold a most wondrous find...."The Shop that time Forgot" Elizabeth and Hugh. Every inch of space is crammed with shelving. Some of the items still in their original wrappers from the 1920s. Many goods are still marked with pre-decimal prices."There's a shop in a small village in rural Scotland which still sells boxes of goods marked with pre-decimal prices which may well have been placed there 80 years ago. This treasure trove of a hardware store sells new products too. But its shelves, exterior haven't changed for years; its contents forgotten, dust-covered and unusual, branded with the names of companies long since out of business. Photographer Chris Frears has immortalized this shop further on film..." - Matilda Battersby. To read the full story, visit the Guardian. And visit here to see more photos of the shop and a stunning shot of Morton Castle on the homepage for Photographer Chris Fears.
CANNES, France -- Emir Kusturica, the jolly Serbian who headed this year's Cannes jury, stayed up late Saturday night at the beach party after the awards. He loved the fireworks, the Fellini music, and his new green shirt. He also sang with the band, as Salma Hayek and Penelope Cruz danced "very savagely," he said, with, of all people, the festival president, Thierry Fremont. "Many girls told me they loved the green shirt," he said Sunday afternoon, as he joined the eight other jury members in their annual press conference.
CANNES, France — Tommy Lee Jones walked away from the 58th Cannes Film Festival here Saturday night as a double winner, after his film “The Three Burials of Melquiades Estrada” won him the award as best actor, and the screenplay by Guillermo Arriaga also was honored. The movie stars Jones as a Texas cowboy who kidnaps the border patrolman (Barry Pepper) who has murdered his Mexican friend and forces him on a long journey to rebury the corpse in the man's hometown.
CANNES, France – If you’re going to make a movie about a rock star who drifts into drugged oblivion and death, you basically have two choices. You could make one of those lurid biopics filled with flashbacks to a tortured childhood and lots of concert scenes and sex, while the star savors success before it destroys him.
Q. A friend of mine reports a rumor regarding the upcoming "Psycho" remake. She says all the talk about a shot-for-shot remake is just a smoke screen. What Gus Van Sant actually plans to do is copy only the first half of the movie, lure the audience into thinking they're getting a straight remake, and then go off in a completely different direction. I was dubious until she pointed out that's exactly what Hitchcock did with "Psycho," where he suddenly kills off the main character. What do you think? Is there still hope? (Eric Brochu, Regina, Sas.)
After she finished reading Toni Morrison's novel Beloved, Oprah Winfrey said, "I called Toni and said to her, `You know, I loved this book - but do people tell you they have to keep going over it?' And she said, `That, my dear, is called reading.' "
The saddest thing, Spike Lee thinks, is that in some neighborhoods the children no longer know how to play street games. The streets are so unsafe the kids hide inside, and decades of childhood culture have disappeared in a generation.