This Changes Everything
Flawed as it is, This Changes Everything matters – and maybe it’ll even make a difference.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Matt writes: The 2017 Cannes Film Festival just came to a close on May 28th, and you can find our complete coverage of the highlights, lowlights and everything in between at RogerEbert.com. Our full roundup of written dispatches from Barbara Scharres and Ben Kenigsberg, as well our video reports from Chaz Ebert, can be located on our Cannes 2017 Table of Contents. You will find our thoughts on the latest work of filmmakers such as Noah Baumbach, Sofia Coppola, Michael Haneke, Michel Hazanavicius, Todd Haynes, Bong Joon-ho, Yorgos Lanthimos and Lynne Ramsay, as well as our coverage of the Netflix controversy that engulfed the Croisette.
A report on the Monty Python event from the 2015 Tribeca Film Festival.
Set aside for a moment all of the controversy. Do me the favor of reading the actual words of the statement released by our Egyptian Embassy six hours before it was attacked by radicals, and before a similar attack in Libya that took four innocent lives. Here it is:
"The Embassy of the United States in Cairo condemns the continuing efforts by misguided individuals to hurt the religious feelings of Muslims -- as we condemn efforts to offend believers of all religions. Today, the 11th anniversary of the Sept. 11, 2001, terrorist attacks on the United States, Americans are honoring our patriots and those who serve our nation as the fitting response to the enemies of democracy. Respect for religious beliefs is a cornerstone of American democracy. We firmly reject the actions by those who abuse the universal right of free speech to hurt the religious beliefs of others."
Marie writes: According to the calendar, summer is now officially over (GASP!) and with its demise comes the first day of school. Not all embrace the occasion, however. Some wrap themselves proudly in capes of defiance and make a break for it - rightly believing that summer isn't over until the last Himalayan Blackberry has been picked and turned into freezer jam!
Matt Zoller Seitz devotes his final Friday Night Seitz slideshow at Salon (he's starting as New York Magazine's TV critic Monday -- most deserved congrats!) to a list of his "Movies for a desert island." His rules: ten movies only, plus one short and one single season of a TV series, for a total of 12 titles. "Part of the fun of this exercise," he writes, "is figuring out what you think you can watch over and over, and what you can live without."
Matt's titles include "What's Opera, Doc?," Season One of "Deadwood," Bob Fosse's "All That Jazz," Terrence Malick's "The New World" (surprise!), Terrence Davies' "The Long Day Closes" (my #1 film of 1992), Joel & Ethan Coen's "Raising Arizona" (a movie I like, but consider among their lesser efforts) and Albert and David Maysles' "Salesman." Click here to see the complete list and Matt's comments.
OK, I'm game. So, the challenge, as MZS sets it up, is not just to pick "favorites," but to choose pictures that will stand up to repeated viewing since nobody is going to get you (or vote you) off the island and "It is assumed that you'll have an indestructible DVD player with a solar-recharging power source, so let's not get bogged down in refrigerator logic, mm'kay?"
EXCERPT FROM INTRO: This isn't like Roger Ebert's "Great Movies" series. It's not my idea of The Best Movies Ever Made (that would be a different list, though there's some overlap here), or limited to my personal favorites or my estimation of the most important or influential films. These are the movies I just kind of figure everybody ought to have seen in order to have any sort of informed discussion about movies. They're the common cultural currency of our time, the basic cinematic texts that everyone should know, at minimum, to be somewhat "movie-literate." I hope these movies are experiences we can all assume we share.
The Festival International du Film, held annually in Cannes, France, has become the world's most prestigious film festival—the spot on the beach where the newest films from the world's top directors compete for both publicity and awards.