Their Show Was the Gateway: Matt Singer on His New Book, Opposable Thumbs: How Siskel & Ebert Changed Movies Forever Matt Fagerholm
Venice Film Festival 2025: Broken English, The Wizard of the Kremlin, No Other Choice, In the Hand of Dante Glenn Kenny
Healers and Nurturers: Ethan Hawke on the Artists of “Blue Moon” and “Highway 99: A Double Album” Carla Renata
Locarno Film Festival 2025: Prejudice Across the Pond in “Pool of London” and “The Story of a Three-Day Pass” Robert Daniels
KVIFF 2025: “Bidad” Director Soheil Beiraghi on Filming Undercover, Amplifying the Voices of Iranian Gen-Z Women Isaac Feldberg
He Communicated with Forces that Were Not in the Norm: Oliver Stone on Directing Val Kilmer Matt Zoller Seitz
Sony’s “Frank Capra at Columbia” 4K Box Set Encapsulates One of America’s Great Filmmakers Glenn Kenny
Malcolm Washington, John David Washington, Danielle Deadwyler on the Power of “The Piano Lesson” Carla Renata
We Were Lucky: Jon Landau and Stevie Van Zandt on “Road Diary: Bruce Springsteen and the E Street Band” Marya E. Gates
There Will be No Questions: The Parallax View, the Ultimate Conspiracy Thriller, Turns 50 Matt Zoller Seitz
Cannes 2024: Emilia Pérez, Three Kilometers to the End of the World, Caught by the Tides Ben Kenigsberg