Dragged Across Concrete
It’s difficult to ignore the craftsmanship and performances in Dragged Across Concrete simply because you don’t like some of its darker themes or feel like…
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A tribute to the late actor and Ebertfest favorite, Scott Wilson.
An in-depth look at an ambitious retrospective at NYC's Film Society of Lincoln Center that celebrates one of cinema's greatest years.
The screenings of "To Sleep with Anger" and "Mind/Game: The Unquiet Journey of Chamique Holdsclaw" at Ebertfest 2017.
A column on the latest on Blu-ray and DVD, including Criterion editions of Code Unknown & In Cold Blood, The Man From UNCLE, Meru, Ant-Man and more!
An interview with director Charles Burnett.
A reposting of Godfrey Cheshire's landmark essay in anticipation of the Critic's Forum at Ebertfest.
Women taking action in Hollywood; Contrasting "Safe" and "Still Alice"; Bridge between love and lipstick; Adrià Julià on Rocky Ascending; What "American Sniper" says about America.
RogerEbert.com contributor Godfrey Cheshire's landmark two-part series "Death of Film/Decay of Cinema" anticipated many of the changes that would later shake the medium to its core.
Camille Paglia is known for being both brilliant and wacky (possibly wacko) -- often at the same time, which is probably when she's at her most inspired. A founding contributor at Salon.com (and co-star of "It's Pat: The Movie"), Paglia spoke on the phone to Salon editor Kerry Lauerman yesterday after the news of Elizabeth Taylor's death, and offered up an extraordinary tribute. I just wanted to share some of it with you. Lauerman begins by quoting something Paglia wrote about Taylor in Penthouse in 1992:
"She wields the sexual power that feminism cannot explain and has tried to destroy. Through stars like Taylor, we sense the world-disordering impact of legendary women like Delilah, Salome, and Helen of Troy. Feminism has tried to dismiss the femme fatale as a misogynist libel, a hoary cliche. But the femme fatale expresses women's ancient and eternal control of the sexual realm." Paglia takes it from there:
Exactly. At that time, you have to realize, Elizabeth Taylor was still being underestimated as an actress. No one took her seriously -- she would even make jokes about it in public. And when I wrote that piece, Meryl Streep was constantly being touted as the greatest actress who ever lived. I was in total revolt against that and launched this protest because I think that Elizabeth Taylor is actually a greater actress than Meryl Streep, despite Streep's command of a certain kind of technical skill. [...]
Paul Newman, a sublime actor and a good man, is dead at 83. The movie legend died Friday at his home in Connecticut, a family spokeswoman said. The cause of death was lung cancer. Newman reportedly told his family he chose to die at home.
FFFgoer Andra Takacs files her account of the 2006 Floating Film Festival:
Richard Brooks hunched his shoulders against a cold State Street wind and peered past the Christmas windows at Marshall Field's."Willya look at that," he said, wonderingly. "Howya gonna tell 'em?"There was a Salvation Army bucket in the middle of the sidewalk, and shoppers were automatically reaching into their pockets for dimes and quarters as they walked past. Trouble was, both the bucket and the window displays were props 'for Brooks' new movie, "Looking for Mr. Goodbar." They weren't actually due on State Street for another week.
HOLLYWOOD - Warren Beatty in sunglasses and a Mercedes sports convertible provides a presence that is not a million miles removed from the image of George, the libidinous hairdresser he plays in "Shampoo." And that is perhaps part of the reason for the film's enormous success (it is now being projected as one of the 20 top-grossing movies of all time, and in the Chicago area alone has played to more than half a million people). Beatty the person has inflamed the imaginations of the readers of movie fan magazines for so long that Beatty the actor can bring a conviction to George's desperate bedroom escapades that few other actors could approach without unseemly narcissism.
Robert Blake said he was fed up with being interviewed and smiling at strangers. He wanted to go someplace and listen to loud music. Fate led him to The Store, that famous Rush Street place where all the young folk congregate who aren't getting any younger.