On the surface, Unsane is a potboiler, a routine stalker thriller. But it works because of how much there is going on within that familiar…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An appreciation of the Disney film "Something Wicked This Way Comes."
An interview with author Charles Taylor about his new book.
Jessica Ritchey answers the Movie Love Questionnaire.
Scout Tafoya responds to our Movie Love Questionnaire.
The Alliance of Women Film Journalists presents its list of top female fiction characters.
Simon Abrams and Odie Henderson celebrate the Rudy Ray Moore Blaxploitation classic "Dolemite," recently released on Blu-ray by the Vinegar Syndrome.
With "The Hateful Eight," Quentin Tarantino betrays the female fans he's until-now supported.
The movie questionnaire and 2015 reviews of RogerEbert.com film critic Peter Sobczynski.
Writer Peter Sobczynski responds to our Movie Love Questionnaire.
Is it white chauvinism for me to suggest that whites are more sensitive than blacks on this issue? Here's my interview with Pam Grier after the LA press screening of "Jackie Brown."
And here's my 4-star review of "Jackie Brown.
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Marie writes: club member Sandy Kahn has found some more auctions! Go here to download a free PDF copy of the catalog.
"Corman's World: Exploits of a Hollywood Rebel" is available March 27 on online outlets via iTunes, Vudu, CinemaNow and Amazon. Also on DVD and Blu-ray.
For B-movie buffs, exploitation film aficionados, and midnight movie cultists, the grand finale of "Corman's World: Exploits of a Hollywood Rebel," will be every bit as exhilarating as that montage of forbidden kisses at the end of "Cinema Paradiso." Taking its cue from the liberating, rebellious high point of the Roger Corman-produced "Rock and Roll High School," in which P. J. Soles and the Ramones rock the hallways of Vince Lombardi High, it offers up dizzying bursts of quintessential Corman: cheesy monsters, fiery car explosions, Vincent Price, blaxploitation kickass, marauding piranhas and Mary Woronov with a gun.
Alex Stapleton's "Corman's World" celebrates the singular cinematic legacy of the "King of the Bs," who has improbably and regretfully fallen into obscurity. Observes director Penelope Spheeris ("The Boys Next Door," "The Decline of Western Civilization Part II: The Metal Years," "Wayne's World"): "If you ask a 20-25-year-old film buff, they won't know who he is."
This despite a career that spans almost 60 years and more than 400 films that Corman either directed or produced. But while his own name may be unfamiliar, many of the once-fledgling actors and filmmakers whom he nurtured/exploited are not: Martin Scorsese ("Boxcar Bertha"), Ron Howard ("Grand Theft Auto"), Peter Bogdanovich ("Targets"), Jonathan Demme ("Caged Heat"), Joe Dante ("Piranha"), Robert DeNiro ("Bloody Mama"), Pam Grier ("The Big Doll House"), screenwriter John Sayles ("The Lady in Red") -- all these and many more appear in "Corman's World" in new and archival interviews.
Marie writes: If you're like me, you enjoy the convenience of email while lamenting the lost romance of ink and pen on paper. For while it's possible to attach a drawing, it's not the same thing as receiving hand-drawn artwork in the mail. Especially when it's from Edward Gorey..."Edward Gorey and Peter Neumeyer met in the summer of 1968. Gorey had been contracted by Addison-Wesley to illustrate "Donald and the...", a children's story written by Neumeyer. On their first encounter, Neumeyer managed to dislocate Gorey's shoulder when he grabbed his arm to keep him from falling into the ocean. In a hospital waiting room, they pored over Gorey's drawings for the first time together, and Gorey infused the situation with much hilarity. This was the beginning of an invigorating friendship, fueled by a wealth of letters and postcards that sped between the two men through the fall of 1969."
The Ebert Club Newsletter is 1 year old!
PARK CITY, Utah -- Sundance has become the nation's most important film festival through an unbeatable combination: inconvenient location, lousy weather, overcrowded screening facilities, municipal hostility, and a 10-day lineup of films that in some cases will never be heard of again.
Q. I just read your review of "The Contender" with Jeff Bridges and Joan Allen. My wife and I had to laugh when we saw the trailer, because we just KNEW Gary Oldman's character was going to be an evil, mean and nasty Republican. As it turns out, we were right! "Random Hearts" is the only film I can recall where a Republican politician was treated as a sympathetic character in a Hollywood film. Can you think of any others? (Marc Giller, Tampa, FL)
Q. We bought the Jerry Springer uncensored tapes, only to find that the four-letter words on them were still bleeped. What's going on here? (Charlie Smith, Chicago).
Ebert's Best Film Lists1967 - present
LOS ANGELES -- I walked in to talk to Pam Grier with these words of Quentin Tarantino fresh in my mind:
LOS ANGELES Has any other movie director become this famous after making only two movies? Well, yes - Orson Welles. But Welles was already a star when he went to Hollywood. Quentin Tarantino came out of next to nowhere and became famous because he made two of the most influential movies of the past five years, and because . . . well, because he tickles people.
PARK CITY, Utah I saw a group of interesting films about African Americans at this year's Sundance Film Festival, the big annual showcase for new independent films. And as I sat down to write about them, I realized that black films in America have long been "independent." Only recently, with a new generation of stars, have they moved into the studio mainstream.