Alamo Bay
Produced by
Louis
Louis Movie Reviews
Blog Posts That Mention Louis
A Poet of an Actor: Louis Gossett, Jr. (1936-2024)
Jean-Louis Trintignant: 1930-2022
TIFF 2021: The Electrical Life of Louis Wain, Belfast, Colin in Black and White
Two by Louis Valray: La Belle de Nuit and Escale
Discomfort Abounds: Julia Louis-Dreyfus and Will Ferrell on Downhill
FX Pairs Billy Crystal and Louis CK on Thursday Nights
Louis Malle: A do-it-yourself interview
Louis Armstrong: A cinematic symphony in jazz
Interview with Louis Malle (1976)
Interview with Louis Malle
Ossie Davis and Ruby Dee
Then They Will Learn: The Truth Behind Juneteenth
Cannes 2025: Resurrection, Honey Don’t!
Cannes 2025: Renoir, Sons of the Neon Night, Orwell: 2+2=5
Cannes 2025: A Useful Ghost, Arco
Cannes 2025: Leave One Day, The Gold Rush
Apple TV’s “Government Cheese” is Almost Great
Female Filmmakers in Focus: The Films of Euzhan Palcy
How Ken Burns’ “Shadow Ball” Connects Baseball’s Past to Our Uncertain Future
From Gena to Annette: Great Actresses with Oscar Nominations but No Wins
A Preview of the 2025 Rendez-Vous with French Cinema
Sundance 2025: East of Wall, Obex, BLKNWS: Terms and Conditions
The Trauma of Inevitability: Brady Corbet and Mona Fastvold on “The Brutalist”
The 25 Best TV Series of 2024
2025 Sundance Film Festival Announces Ambitious Program
The Best Films of 2024
Tokyo International Film Festival 2024: Orang Ikan, Missing Child Videotape, Kiyoshi Kurosawa
TIFF 2024: Don’t Let’s Go to the Dogs Tonight, Sharp Corner, The Quiet Ones
Anchorman Wouldn’t Have Been Nearly as Great Without Christina Applegate
Leaving A Mark Behind: Kevin Costner on Horizon: An American Saga – Chapter 1
Willie Mays: The Greatest to Ever Play
It’s About Reshaping: David Kirkman on Underneath: The Children of the Sun
Juneteenth Film Festival Returns For A Powerful Second Year
Robert Daniels & Odie Henderson Talk Wild Wild West at 25
What If a Movie Called IF Found an Audience?
At the Movies, It’s Hard Out There for a Hit Man
Cannes 2024: It’s Not Me, Filmlovers!, Misericordia
Cannes 2024: The Seed of the Sacred Fig, All We Imagine as Light, The Most Precious of Cargoes
Cannes 2024 Diary 2: International Genre Picks
Cannes 2024: The Weirdo Films of Cannes
Cannes 2024 Video #2: The Festival Takes Off
Cannes 2024: The Second Act, Abel Gance’s Napoleon
AMC’s Interview with the Vampire Has a Different Flavor in Season Two
O.J. Simpson Dies: The Rise & Fall of A Superstar
Until It’s Too Late: Bertrand Bonello on The Beast
True/False 2024: Coming Home Again
Along for the Ride with Sofia Coppola
Eye on the Screen: David Bordwell (1947-2024)
The People Who Never Stopped Loving Tenet
Book Excerpt: Black Caesars and Foxy Cleopatras: A History of Blaxploitation Cinema by Odie Henderson
Sundance 2024: Black Box Diaries, Never Look Away, Soundtrack to a Coup d’Etat
It’s Down to Two People Having Respect for One Another: Matthew Brown on Freud’s Last Session
2024 Sundance Film Festival Announces 91 Projects Selected for the Feature Films, Episodic, and New Frontier Lineup for 40th Edition
FX Delivers a Lackluster Thriller With A Murder at the End of the World
Criterion Launches Excellent Janus Contemporaries Series
CIFF 2023: Robot Dreams, The Crime is Mine, Limbo
CIFF 2023: All Happy Families, Bike Vessel, Departing Seniors, Memorial
59th Chicago International Film Festival Announces Exciting Full Line-up of Features and Shorts
TIFF 2023: The Beast, Evil Does Not Exist, Shoshana, Green Border
Judy Garland’s Last Film at MGM: Interview with Author David Fantle
TIFF 2023: Seagrass, Fitting In, Humanist Vampire Seeking Consenting Suicidal Person
