Creed II falls victim to the sins of sequelitis—it’s bigger, louder and more grandiose than its predecessor—yet manages to right itself by not losing focus…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A look back at this past week's TCM Classic Film Festival, including the special guests and screenings.
The RogerEbert.com pick for the Best Supporting Actress Oscar.
An interview with actress Lana Wood about her experience making John Ford's masterpiece, "The Searchers."
An appreciation for Prince's 1986 directorial debut and "Purple Rain" follow-up, "Under the Cherry Moon."
The staff of RogerEbert.com shares their memories of Prince.
A conversation between the writers at RogerEbert.com about monkeys in cinema.
An FFC on recent comments by Michael Eisner.
Peter Bogdanovich's movie musical "At Long Last Love" developed one of those reputations as a career-killing stinker, but in hindsight, it's a pretty darn good mix of 1930s tunes with the slightly more realist sensibility of later musicals. And it's a project with a crazy history. Now that it is out on Blu-Ray, it deserves another look.
Marie writes: behold the power of words, the pen mightier than the sword.
Marie writes: allow me to introduce you to Travel Photographer, founded by Chris and Karen Coe in 2003 and their annual contest "Travel Photographer of the Year".After years spent working in the travel industry as a professional photographer and finding it was mostly conventional images making it into print, Chris decided to create a way to showcase great travel photography and broaden people's perception of what it can encompass - namely, that it can be much, much more than a pretty postcard image.The contest is open to one and all; amateur and professional photographers compete alongside each other. Entrants are judged solely on the quality of their photographs. There's a special competition to encourage young photographers aged 18 and under; Young Travel Photographer of the Year. The youngest entrant to date was aged just five, the oldest 88. The competition is judged by a panel of photographic experts, including renowned photographers, picture buyers, editor and technical experts.And the 2010 winners have now been announced. Here's a few random photos to wet your appetite - then you can scroll through the amazing winners gallery!
Enal is around 6 years old and knows this shark well - it lives in a penned off area of ocean beneath his stilted house in Wangi, Indonesia. Photo: James Morgan, UK (Portfolio Encounters: Winner 2010) [note: click images to enlarge]
Tony Curtis and Janet Leigh at a Charity party in 1957 with Frank Sinatra and his then-wife, Ava Gardner. (click to enlarge) Marie writes: the best celebrity photos are invariably candid shots. :-)
Marie writes: Club member and noted blog contributor Tom Dark took this astonishing photograph near his home in Abiqui, New Mexico. The "unknown entity" appeared without warning and after a failed attempt to communicate, fled the scene. Tom stopped short of saying "alien" to describe the encounter, but I think it's safe to say that whatever he saw, it was pretty damned freaky. It sure can't be mistaken for anything terrestrial; like a horse pressing its nose up to the camera and the lens causing foreshortening. As it totally does not look like that at all. (click to enlarge.)
It's a newsletter and a web site!
Nobody does a better job of reminding us that movies are always in the present tense, no matter how long ago they were made, than movie historian, critic, and (above all) enthusiast Leonard Maltin, who's celebrating the fifth anniversary of his own, personal movie-zine, "Leonard Maltin's Movie Crazy" ("A Newsletter for People Who Love Movies"). That's right -- it's a newsletter. As in, printed on paper and snail-mailed to you. The "Collector's Corner" of the most recent issue (which just arrived in my mailbox today), appropriately features some vintage promotional envelopes -- one from RKO studios, and one "Direct From Location" in Old Tucson, AZ, for Wesley Ruggles' "Arizona," starring Jean Arthur. I love Jean Arthur. Almost as much as Barbara Stanwyck.
Though he also has a web site (and writes a "Journal" -- not a blog!), I love that someone of Leonard's stature still puts out a good, analog-style newsletter. (Could we consider it "artisanal"?) But, of course, it's also perfectly in character for Leonard, someone whose passion for movies has always been deeply personal as well as professional. (I take pride in getting Leonard on the web in the first place. He used to fax his weekly columns to me at Cinemania Online, which was a bit "klugey," as we used to say. So, I went to his house and set him up on e-mail in 1996 or so. Leonard was an ebay early-adopter -- for his astounding collection of movie memorabilia, of course -- and once he discovered e-mail, he took to it like a sprocket to celluloid.)
The new issue features an interview with 92-year-old Leslie Martinson, a television director and former MGM script supervisor who worked for Vincente Minnelli, John Huston, Sam Wood, Rouben Mamoulian and others, and who has plenty of stories to tell -- including anecdotes about Gene Kelly and Fred Astaire. "Long before I had any real awareness of directors and their careers, I knew the name Leslie H. Martinson," Leonard writes, recalling his days as a budding auteurist. "No one who watched television in the 1950s and '60s could have avoided seeing that name. It was emblazoned on countless TV shows, ranging from "Topper" and "The Millionaire" to every Warner Bros. show imaginable, when that studio dominated the airwaves..." Martinson directed episodes of such series as "Maverick," "Hawaiian Eye," "77 Sunset Strip," "Mannix," "Mission: Impossible," "ChiPs," and "Dallas" -- and some movies, too ("Lad: A Dog," "PT 109," the 1966 feature "Batman," based on the hit TV show).
The cover story, "Grade B -- But Choice," is devoted to an obscure 1934 musical called "Young and Beautiful," featuring "budding starlets, grade-A character actors, grade-B musical numbers, a pair of vaudevillians, a look behind the scenes of Hollywood, bogus appearances by Charlie Chaplin and Buster Keaton and a script by Dore Schary" [later famous as a producer of films such as "Crossfire," "Mr. Blandings Builds His Dream House," "They Live By Night" and "The Red Badge of Courage"].
Maltin describes "one of the most bizarre musical numbers ever staged, in which actors wearing full-face masks of major stars appear on stage together," along with the WAMPAS girls, beauties selected by the Western Association of Motion Picture Advertisers -- an organization that, between 1922 and 1934, chose an annual list of promising "Baby Stars," which included Clara Bow, Mary Astor, Fay Wray, Joan Crawford, Janet Gaynor, Lupe Valez, Jean Arthur (!), Ginger Rogers and Gloria Stuart.
These stars were not on display in "Young and Beautiful," however. (Betty Bryson, anyone? Dorothy Drake? Hazel Hayes? Lucile Lund? Neoma Judge?) Imagine this: At first, youre not sure whether or not to believe your eyes; many of the caricature masks are quite good. Some of the performers adopt the actors' body language, and appear in costumes from the stars' most recent roles: John Barrymore as he appeared in "Reunion in Vienna," Wallace Beery as Pancho Villa from "Viva Villa," George Arliss as "The Iron Duke," Joe E. Brown in uniform from "Son of a Sailor," Eddie Cantor in costume from "Roman Scandals," along with Clark Gable, Maurice Chevalier, Adolphe Menjou, Jimmy Durante, Charlie Chaplin, Buster Keaton, Stan Laurel and Oliver Hardy. After an introductory sequence, the bogus stars participate in a kind of elaborate parade with the WAMPAS lovelies.If that doesn't sound tantalizing, I don't know what will.
Believe it or not, "Young and Beautiful" is still available on VHS from Turner Classic Movies.
Thanks, Leonard! Here's to five -- or 55 -- more years of film fanaticism. You're right: "We movie nuts have to stick together..."
Among Janet Leigh's last interviews was one she gave in July to the Sun-Times' Miriam Di Nunzio about the DVD release of "The Manchurian Candidate." Some excerpts: On working with directors John Frankenheimer, Alfred Hitchcock and Orson Welles: "They were all geniuses. Hitchcock ['Psycho'] did not like ad-libbing at all because everything was timed to perfection in his scenes. Orson loved ad-libbing. The whole ['Touch of Evil'] script was skeletal. Frankenheimer liked spontaneity, but 'Manchurian Candidate' was too closely honed a story to really ad-lib much. There wasn't a whole lot of that going on during filming."
As part of its ongoing national effort to lead the nation to discover and rediscover the classics, the American Film Institute (AFI) today announced the 50 greatest American screen legends - the top 25 women and top 25 men naming Katharine Hepburn and Humphrey Bogart the number one legends among the women and men.
Q. You mentioned the time-slippage in "Cop Land," where the characters are betting against the five-time champion Bulls even though it was not yet the season after their fifth championship. Are all movies going "back to the future?" In "Conspiracy Theory," at the end we see a death certificate which says "10-2-97." Were the producers planning a release later in the year? (Casey Anderson, Schaumberg)
Q. Ever since my wife and I saw "Big Night," we have been wondering where the restaurant in the movie is located. We know it's
The images in movies are countless, but only a handful have become part of our collective memory. Gene Kelly created one of them by singing in the rain. Delirious with love, he splashed through puddles and twirled his umbrella, he hung from a lamppost and flung open his arms, and sang: "What a glorious feelin'! I'm happy again!"
"Everything Fred did, I did backwards."
Thirteen things I learned while talking with Marcello Mastroianni: