
Traffik
There isn’t an honest moment in all 96 minutes of Traffik.
There isn’t an honest moment in all 96 minutes of Traffik.
William Friedkin, the director of "The Exorcist," documents what might be a real-life exorcism.
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
A closer look at the 13 reviews by Roger Ebert chosen for the front page today to mark the anniversary of Roger's passing and the…
A collection of memories from fans of Roger Ebert.
A new video essay explores the uncanny durability of "Invasion of the Body Snatchers"
Starring Dwayne Johnson and other giant creatures.
Some directors are all about the visual symbolism, but Forman was more of a people-watcher.
After all these years it’s hard for me to say if “Earthquake” is either a guilty pleasure or a movie so bad that it’s good.
A report on the second day of Ebertfest, which included a massive critic's panel and three very special films.
The latest on Blu-ray and DVD, including Phantom Thread, Molly's Game, and The Commuter.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A video interview with co-writer/director Joachim Trier about his icy sci-fi parable, "Thelma."
An interview with co-writer/director Joachim Trier about "Louder Than Bombs."
Eskil Vogt's "Blind"; Reflections on "Ex Machina"; Evangelicals open door to debate on gay rights; How "Jaws" misrepresented the great white; Cara Seymour interviews Mary Harron.
A preview of the Chicago Critics Film Festival, featuring "The End of the Tour," "Me & Earl & the Dying Girl," "The Overnight," "Digging For Fire," "Results," and much more!
Sometimes movies provide the moments I empathize with even though I am completely different from their characters. I remember how I sympathetically reacted to one particular scene around the end of "The Hurt Locker" (2008) because I would also be at a loss in its hero's circumstance unless my family or others accompanied me. Several months after watching that movie, I thought about that scene after wandering alone around the aisles of a big supermarket in the suburban area of Des Plaines, Illinois for at least more than 20 minutes until I settled on a loaf of white bread and a bottle of marmalade after lots and lots of hesitation.