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2026 Karlovy Vary International Film Festival Preview: 10 Films We Can’t Wait to See
10 of Roger Ebert’s Favorite Movies About America
Female Filmmakers in Focus: Alice Winocour on “Couture”
The Element of Risk: Olivia Wilde on “The Invite”
Out of the Mouths of Cutlery: Tony Hale on “Toy Story 5”
Film Criticism’s Crisis in the Letterboxd Era
The Woman Who Saved “Star Wars”: Marcia Lucas (1945-2026)
Female Filmmakers in Focus: Milagros Mumenthaler on “The Currents”
Documentary Now! 4th Edition is an Incredible Companion to Beloved Show
Cannes 2026 Video #7: Festival Dispatch with Jason Gorber
Cannes 2026 Video #5: Festival Dispatch with Ben Kenigsberg
I’m Trying to Create Visceral Things: Boots Riley on “I Love Boosters”
Cannes 2026 Video #4: Festival Dispatch with Zachary Lee
Cannes 2026: Paper Tiger, Sheep in the Box
Cannes 2026 Video #3: Nagi Notes, Camp Miasma, Werner Herzog
Notes from the Red Carpet of the 2026 Chicago Critics Film Festival
You Can’t Stay Here: Adam Scott and Damian McCarthy on “Hokum”
Love’s in Need of Love Today: Reflections on EbertFest, Cinema, and Empathy
An Act of Translation: David Lowery on “Mother Mary”
Female Filmmakers in Focus: Sophy Romvari on “Blue Heron”
The Best Version of the Thing: Steven Soderbergh on “The Christophers”
“Jury Duty: Company Retreat”‘s Unsuspecting Hero On Life After Rockin’ Grandmas
“It Became a Dark Place”: Chief Geoffrey Standing Bear on “Killers of the Flower Moon”
Shuffling and Whittling and Experimenting: Austin Keeling and Lam T. Nguyen on Editing the Told-on-Screens Film “Mercy”
A Screenwriter’s Dream—and Nightmare: Drew Goddard on “Project Hail Mary”
SXSW 2026: Imposters, Sender, Monitor
SXSW 2026: Adam’s Apple, The Dads, Your Attention Please
We Broke the Loop: Ian Tuason and Nina Kiri on “undertone”
Monstrous Women: From Medusa to the Bride and Rumi Too
I’ve Started Seeing Somebody: The Monstrous-Masculine in Larry Fessenden’s “Habit”
All the Days of My Life: On Elaine May’s “A New Leaf”
Joan Cusack: Best Supporting Energy
Celebrating Black Cinema: Shawn Edwards on the Black Movie Hall of Fame
Willing Participants: Harry Lighton and Harry Melling on “Pillion”
It All Starts With the Meditation App: Bart Layton on “Crime 101”
I Will See You In Dreams: Akinola Davies Jr. on “My Father’s Shadow”
Jump Into the Abyss: Óliver Laxe and Sergi López on “Sirât”
Female Filmmakers in Focus: Amanda Kramer on “By Design”
Turns and Tonal Shifts: Jason Biggs and Meaghan Rath on “Untitled Home Invasion Romance”
Time is Very Precious: Hlynur Pálmason and Julius Krebs Damsbo on “The Love That Remains”
Lightning in a Bottle: Angus MacLachlan on “A Little Prayer”
FOX’s “Memory of a Killer” Can’t Remember Why It Exists
Aim Your Rage at the Right Target: Park Chan-wook and Lee Byung-hun on “No Other Choice”
Craziness and Contradiction: Kirill Serebrennikov on “Limonov: The Ballad”
To Love Each Other: Jean-Pierre and Luc Dardenne on “Young Mothers”
Female Filmmakers in Focus: Rebecca Zlotowski on “A Private Life”
Poetry in the Abyss: Béla Tarr (1955-2026)
Cute Chaos: Penny Lane on “Happy And You Know It”
Home Entertainment Guide December 2025: “Black Phone 2,” “Bugonia,” “Good Fortune,” More
Ecstasy and Agony: Mona Fastvold on “The Testament of Ann Lee”
Cinema Is My Church: Rian Johnson on “Wake Up Dead Man: A Knives Out Mystery”
RescueFest Opens with Restoration of Steve Buscemi’s Wonderful “Trees Lounge”
Reflections on the 2025 Tailinn Black Nights Film Festival
No Good Deed Will Go Unpunished: Kleber Mendonça Filho and Wagner Moura on “The Secret Agent”
I’m Just An Actor: Rebuilding Roles with Josh O’Connor
It’s Epic to Live a Normal Life: Joel Edgerton and Clint Bentley on “Train Dreams”
A Source of Inspiration: Elle Fanning and Stellan Skarsgård on “Sentimental Value”
We Live in Time: Joachim Trier on “Sentimental Value”
Netflix’s “Last Samurai Standing” is One of the Best Action Shows of the Year
Hard Places: Max Walker-Silverman on “Rebuilding”
You’re Living Intrusive Thoughts: Jennifer Lawrence and Lynne Ramsay on “Die My Love”
Female Filmmakers in Focus: Sepideh Farsi on “Put Your Soul on Your Hand and Walk”
Home Entertainment Guide October 2025: “F1,” “Eddington,” “Weapons”
The Breadth of Humanity: Yorgos Lanthimos & Will Tracy on “Bugonia”
Nothing Closes the Doors to Creating: Jafar Pahani on “It Was Just an Accident”
It’s A Process: Kelly Reichardt on “The Mastermind” and Josh O’Connor’s Timeless Mug
The First Responders of the Internet: Lili Reinhart on “American Sweatshop”
TIFF 2025: Dust Bunny, The Furious, Normal
Back to Duality: James Sweeney and Dylan O’Brien on “Twinless”
You’re Enough, Just So You Know: Jay Duplass and Michael Strassner on “The Baltimorons”
Healers and Nurturers: Ethan Hawke on the Artists of “Blue Moon” and “Highway 99: A Double Album”
The Best American Actor of His Generation: David Strathairn on “A Little Prayer”
British Banter Envy: Jay Roach and Tony McNamara on “The Roses”
You Don’t Know What Your Time Is Like Until Later: Alex Russell on “Lurker”
Hawaiian Shirts Are Great to Fight In: Bob Odenkirk on “Nobody 2”
Female Filmmakers in Focus: Hind Meddeb on “Sudan, Remember Us”
San Diego Comic-Con 2025: Aliens and Activations
Two Become One: Dave Franco, Alison Brie, and Michael Shanks on “Together”
Dead Man Walking: Taron Egerton on “She Rides Shotgun”
Our Minds Have Been Colonized: Ari Aster on “Eddington”
KVIFF 2025: Stellan Skarsgård on “Sentimental Value,” Ingmar Bergman, and Cinematic Empathy
KVIFF 2025: “Bidad” Director Soheil Beiraghi on Filming Undercover, Amplifying the Voices of Iranian Gen-Z Women
Female Filmmakers in Focus: Victoria Mahoney on “The Old Guard 2”
The Great and Magical Creation of This Reality: Mariana Treviño on “Stick”
