Set It Up
A solid romantic comedy with sharp dialogue, amusing characters, and a few surprises up its sleeve.
Craig Roberts
-
The Fundamentals of Caring (2016)
—
Trevor
Brian Tallerico -
Kill Your Friends (2016)
—
Darren
Christy Lemire -
Submarine (2011)
—
Oliver Tate
Roger Ebert
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Humor is the Most Important Thing in Life: Paul Rudd & Rob Burnett on “The Fundamentals of Caring”
Paul Rudd and writer/director Rob Burnett talk about their new film "The Fundamentals of Caring."
Sundance 2016: "The Fundamentals of Caring"
A review of "The Fundamentals of Caring."
TV Landscape Expands with Amazon’s “Red Oaks,” Hulu’s “Casual”
A review of two good new shows: Hulu's "Casual" and Amazon's "Red Oaks".
TIFF 2015 Interview: Nicholas Hoult on “Kill Your Friends,” “Equals,” “Mad Max: Fury Road”
An interview with star Nicholas Hoult on "Kill Your Friends," "Equals," 'Mad Mad: Fury Road" and "X-Men: Apocalypse."
#136 October 3, 2012
Marie writes: It's that time of year again! Behold the shortlisted nominees for The Turner Prize: 2012. Below, Turner Prize nominee Spartacus Chetwynd performs 'Odd Man Out 2011' at Tate Britain on October 1, 2012 in London, England.
(click image to enlarge.)
#123 July 11, 2012
Marie writes: club member Sandy Kahn has found some more auctions! Go here to download a free PDF copy of the catalog.
#47 January 26, 2010
Marie writes: Each year, the world's remotest film festival is held in Tromsø, Norway. The Tromsø International Film Festival to be exact, or TIFF (not to be confused with Toronto.) Well inside the Arctic Circle, the city is nevertheless warmer than most others located on the same latitude, due to the warming effect of the Gulf Stream. This likely explains how they're able to watch a movie outside, in the snow, in the Arctic, in the winter. :-)
#45 January 12, 2011
Marie writes: I love cinematography and worship at its altar; a great shot akin to a picture worth a thousand words. The best filmmakers know how to marry words and images. And as the industry gears up for the Golden Globes and then the Oscars, and the publicity machine starts to roll in earnest, covering the Earth with a daily blanket of freshly pressed hype, I find myself reaching past it and backwards to those who set the bar, and showed us what can be accomplished and achieved with light and a camera...
Cinematography by Robert Krasker - The Third Man (1949) (click to enlarge images)
