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The Camera is Dancing with Joaquin: Cinematographer Lawrence Sher on Joker, The Hangover and More

The Visual Language of Mudbound Cinematographer Rachel Morrison

NYFF 25: The Currents, Gavagai, Is This Thing On?

It’s A Process: Kelly Reichardt on “The Mastermind” and Josh O’Connor’s Timeless Mug

What Really Matters is What You Like: “High Fidelity” at 25

Home Entertainment Guide: “28 Years Later,” “Materialists,” “Superman,” “Jurassic World Rebirth,” More

NYFF 2025: The 63rd New York Film Festival Centers Film and Poetry

TIFF 2025: Hamnet, Driver’s Ed, EPiC: Elvis Presley in Concert

TIFF 2025: Erupcja, Junk World, The Napa Boys

TIFF 2025: Blue Heron, Amoeba, Meadowlarks

TIFF 2025: Mile End Kicks, Maddie’s Secret, Poetic License

TIFF 2025: Hamlet, Rose of Nevada, No Other Choice

Robert Daniels & Odie Henderson Talk “Highest 2 Lowest”

Clear Eyes, Full Heart, Can’t Lose: The Enduring Legacy of “Friday Night Lights”

You Don’t Know What Your Time Is Like Until Later: Alex Russell on “Lurker”

Locarno Film Festival 2025: Prejudice Across the Pond in “Pool of London” and “The Story of a Three-Day Pass”

Fantasia 2025: A Grand Mockery, Every Heavy Thing, Anything That Moves

Fantasia 2025: I Am Frankelda, The Devil’s Bride, Cielo

DVD/Blu-Ray Guide July 2025: “A Minecraft Movie,” “Final Destination: Bloodlines,” “The Legend of Ochi,” More

KVIFF 2025: Sand City, The Visitor, Better Go Mad in the Wild

Desire Never Goes Away: Sarah Friedland and Kathleen Chalfant on “Familiar Touch”

June 2025 Blu-Ray/Streaming Guide: “Drop,” “The Nice Guys,” “Dark City,” More

Shark Attack: “Jaws” Remains as Entertaining as It Was 50 Years Ago

The 20 Best Films of 2025 So Far

Rescuing a Movie About Angels From the Devil Himself: Kevin Smith on “Dogma”

Humanizing the Sharks: Sean Byrne on “Dangerous Animals”

A Great Businessman in the Persona of a Wonderful Entertainer: Todd Purdum on Desi Arnaz

Home Entertainment Guide May 2025: Better Man, Black Bag, Mickey 17, More

Cannes 2025: Splitsville, Love Me Tender, Nino

Cannes 2025: The President’s Cake, Death Does Not Exist, Peak Everything

Cannes 2025: Sentimental Value, Romería, The History of Sound

Cannes 2025: It Was Just an Accident, Alpha

Female Filmmakers in Focus: Dea Kulumbegashvili on April

The 2025 TCM Classic Film Festival

April 2025 Blu-Ray Guide: “Anora,” “The Brutalist,” “Heart Eyes,” “One of Them Days,” More

Book Excerpt: Gandolfini: Jim, Tony & the Life of a Legend by Jason Bailey

Transformation and Rebirth: Constance Tsang on “Blue Sun Palace”

Defined In Isolation: Ryan Coogler on “Sinners”

The Dream Within the Fairy Tale: Emilie Blichfeldt on “The Ugly Stepsister”

There’s No Catharsis: David Cronenberg on “The Shrouds”

Revisiting the Bunker: Michael Shannon on “Eric LaRue”

March 2025 Blu-Ray Guide: “Babygirl,” “Sing Sing,” “Den of Thieves 2,” “Moana 2”

Life Sustained by Desire: Alain Guiraudie on “Misericordia”

The Ebert Fellows on True/False 2025

Ambient Comedy: Carson Lund on “Eephus”

SXSW Film Festival 2025: The Baltimorons, For Worse, Magic Hour

Pay Attention Now: Gretchen Mol and Juliana Margulies on “Millers in Marriage”

True/False 2025: Seeds, River of Grass, How Deep Is Your Love

February 2025 Blu-Ray Guide: “Wicked,” “Nosferatu,” “Here,” “Heretic,” More

The Timeless Echoes of “The Spirit of the Beehive”

Brenda Robinson, Acting President of Film Independent, Set to Preside Over 40th Spirit Awards; Aidy Bryant Cheerfully Returns as Host

“Anora,” “Shōgun” Win Big with Critics Choice Awards

Sundance 2025: Life After, Sugar Babies, Seeds

Sundance 2025: Mad Bills to Pay, Rains Over Babel, Serious People

Sundance Film Festival 2025 Preview: 20 Films We Can’t Wait to See

Dream of Death: Robert Eggers on “Nosferatu”

Cinema Is Freedom: Mohammad Rasoulof on “The Seed of the Sacred Fig”

Beachside Mingling at a Poignant Spirit Awards Nominee Brunch

December 2024 Blu-Ray Guide: “The Wild Robot,” “Conclave,” “Alien: Romulus,” More

14 Underrated Movies of 2024

The Great Craft of 2024

Sony’s “Frank Capra at Columbia” 4K Box Set Encapsulates One of America’s Great Filmmakers

Process the Environment: Rachel Morrison on “The Fire Inside”

Two Thumbs Up! The Individual Top Tens of 2024

Kyle Mooney and Evan Winter Go Back in Time with “Y2K”

Female Filmmakers in Focus: Marielle Heller on “Nightbitch”

You Don’t Lie When You Pray: Paul Schrader on “Oh, Canada”

Home Entertainment Guide: November 2024

A Sense of Freedom: Filmmaker and Teacher Bart Weiss Talks About his Book “Smartphone Cinema”

Black Harvest Film Festival 2024: Disco Afrika, It Was All a Dream, Dreams Like Paper Boats

Black Harvest Film Festival 2024: Black Table, Rising Up at Night, The Weekend, Jimmy

Coming of Consciousness: Tyler Taormina on Christmas Eve in Miller’s Point

London Film Festival 2024 Highlights

Our Film Has A Power: Basel Adra and Yuval Abraham on No Other Land

CIFF 2024: The Light of Truth: Richard Hunt’s Monument to Ida B. Wells, Time Passages, Slice of Life: The American Dream. In Former Pizza Huts

Breakfast Is Served—Again: Alan Rudolph on the reissue of “Breakfast of Champions”

CIFF 2024: The Knife, Okie, Bliss

CIFF 2024: Cloud, Grafted, Parvulos

CIFF 2024: Rita, Listen to the Voices, Peacock

Less Sex Scenes, More Sex Shots: Sean Baker and Mikey Madison on “Anora”

NYFF: Stranger Eyes, Harvest, Who By Fire

Home Entertainment Guide: September 2024

A Communication With Light: Azazel Jacobs on “His Three Daughters”

In the Ring: James Madio and Steve Loff on “The Featherweight”

Pull the String: Larry Karaszewski Remembers “Ed Wood” at 30

TIFF 2024: Conclave, Relay, The Assessment

TIFF 2024: Dead Talents Society, Else, Dead Mail

TIFF 2024: Daniela Forever, Can I Get a Witness?, Ick

TIFF 2024: Bonjour Tristesse, The Fire Inside, The Last Showgirl

Female Filmmakers in Focus: Mika Gustafson and Alexander Öhrstrand

TIFF 2024: 20 World Premieres We Can’t Wait to See

Home Entertainment Guide: August 2024

13 Films Illuminate Locarno Film Festival’s Columbia Pictures Retrospective

Tina Mabry and Edward Kelsey Moore on the Joy and Uplift of The Supremes at Earl’s All-You-Can-Eat
