October Baby
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Andrew
Andrew Movie Reviews
Blog Posts That Mention Andrew
Upon Reflection: Andrew Haigh on All of Us Strangers
Chicago Style: Andrew Davis on the Making of The Fugitive, Stony Island, and More
Andrew Ridgeley on the New Netflix Doc Wham!
Creeping Panic: Rebecca Hall and Andrew Semans on Resurrection
A Celebration of Friendship: Andrew Ahn and Nick Adams on Fire Island
Bright Wall/Dark Room October 2021: Parenting, The Pandemic, and Paw Patrol: The Movie by Andrew Root
Revisiting Andrew Niccol’s Gattaca in the Age of CRISPR
Andrew Davis and The Fugitive Return To Chicago
Missing Andrew: Ten Years Without a Dear Friend
A Sense of Kindness: Andrew Haigh on Lean on Pete
Bright Wall/Dark Room: January 2017: “Sticks & Stones” by Andrew Root
Molly Haskell on feminism, censorship, screwball comedy, and life after Andrew Sarris
Familiar and Foreign: On Andrew Ahn’s “Spa Night”
Natural Revelations: Andrew Haigh & Tom Courtenay on “45 Years”
Video Interview: Ramin Bahrani, Andrew Garfield and Laura Dern on “99 Homes”
The enemies within the work of Andrew Niccol
Andrew Lesnie: 1956-2015
Poll: Andrew Sarris and Your Greatest Films of All Time
Andrew Sarris, auteurism, and his take on his own legacy
Andrew Sarris, 1928-2012: In Memoriam
Cannes 2025 Announces Lineup with New Films by Ari Aster, Kelly Reichardt, Julia Ducournau, Richard Linklater, Wes Anderson and More
Chicago Critics Film Festival Announces Full Schedule, Special Guests
A True Sense of the Eerie, or Why I Love the Hell House Films
Revisiting the Bunker: Michael Shannon on “Eric LaRue”
Class Critique In Apple TV+’s “Your Friends and Neighbors” Lacks Bite, But Still Entertains
How the One-Take Approach of “Adolescence” Traps Us in Tragedy
SXSW Film Festival 2025: The Rivals of Amziah King, Hallow Road, The Dutchman
Having a Lunatic’s Dream: Emily Bett Rickards on “Queen of the Ring”
I Think Of Them As The Work: Gene Hackman (1930-2025)
Talkin’ About His Generation: New Book Chronicles the Making of Millennial Touchstone “Superbad”
In Praise of Excess: Queer Maximalism in the Films of Joel Schumacher
10 Great Performances from Sundance 2025
Sundance 2025: The Perfect Neighbor, The Alabama Solution, Zodiac Killer Project
January 2025 Blu-Ray Guide: “Hundreds of Beavers,” “Smile 2,” “Venom: The Last Dance,” and More
Sundance 2025: The Wedding Banquet, Kiss of the Spider Woman
Sundance Film Festival 2025 Preview: 20 Films We Can’t Wait to See
Meet the Writers: Zachary Lee
Happy New Year from Chaz Ebert and All of Us at RogerEbert.com
The Great Craft of 2024
The 25 Best TV Series of 2024
2025 Sundance Film Festival Announces Ambitious Program
You Don’t Lie When You Pray: Paul Schrader on “Oh, Canada”
Keira Knightley and Ben Whishaw Shine in Netflix’s Thrilling “Black Doves”
Home Entertainment Guide: October 2024
The Steady, Inevitable Decline: Sideways at 20
Home Entertainment Guide: September 2024
The State of the 2024 Oscar Race
TIFF 2024: The Shadow Strays, Friendship, The Shrouds
TIFF 2024: 20 World Premieres We Can’t Wait to See
Home Entertainment Guide: August 2024
Subjective Reality: Larry Fessenden on Crumb Catcher, Blackout, and Glass Eye Pix
Apple TV+’s Bad Monkey Struggles to Find Its Voice
I’ve Got A Way With Young People: 25 Years of Dick
Netflix’s The Decameron Sinks to New Lows
Fantasia 2024: Bookworm, Shelby Oaks, The Count of Monte Cristo
10 Films to Thrill You at the 2024 Fantasia International Film Festival
The 10 Best Fourth of July Releases of the 21st Century
The Most Intriguing Festival Films Still Seeking U.S. Distribution
The Brat Pack Movies, Ranked
Home Entertainment Guide: May 2024
Netflix’s Tires Should Have Fans of Shane Gillis Rolling
The Jinx – Part Two Continues One of the Most Fascinating True Crime Sagas of All Time
Ebertfest 2024 Announces Full Lineup, With Guests Including Eric Roberts, Mariel Hemingway, Larry Karaszewski, and More
Netflix Reimagines Patricia Highsmith’s Timeless Character in the Chilling Ripley
SXSW 2024: Dandelion, A Nice Indian Boy, I Don’t Understand You, I Love You Forever
Netflix Launches Ambitious, Engaging Adaptation of 3 Body Problem
She Knew: The Women of Science Fiction Who Predicted the Future
Oscar Predictions 2024: What Will Win This Year
Ebertfest Film Festival Over the Years
A Farewell from Our Literary Editor, Matt Fagerholm
Stellar Performances Almost Save AMC’s Bloated The Walking Dead: The Ones Who Live
Home Entertainment Guide: January 2024
Spirit Awards 2024: A Platform for Essential Independent Films
The 96th Academy Award Nominations Are Announced, Led by Oppenheimer
Sundance 2024: My Old Ass, The Outrun, Little Death
Sundance 2024: Sebastian, Girls Will Be Girls, Brief History of a Family
Check into Prime Video’s Hazbin Hotel
Oscar Predictions 2024: What Will Be Nominated This Year
Wonderful Tom: Tom Shales (1944-2024)
Artists We Spoke to in 2023: Some of Our Favorite Interviews
Am I Just Anybody?: Ryan O’Neal (1941-2023)
Killers of the Flower Moon, Oppenheimer, Poor Things Lead CFCA Nominations
2024 Film Independent Spirit Award Nominees Led by American Fiction, May December and Past Lives
Colman Domingo to Receive the Spotlight Award at the Palm Springs International Film Festival
Saltburn and Subverting the Passing Narrative
Jackie Chan: Emergence of a Superstar is Essential For Fans of the Legendary Star
Invincible Packs a Wallop in Mighty Second Season
CIFF 2023: Explanation for Everything, About Dry Grasses, Do Not Expect Too Much from the End of the World
CIFF 2023: All of Us Strangers, Poor Things, Saltburn
MOMA Launches Iranian Cinema Before the Revolution, 1925-1979
