
Redacting Racism: Some Thoughts on Race-Blind Casting
On the issues around color-blind casting.
On the issues around color-blind casting.
An appreciation of Angela Bassett’s performance in What’s Love Got to Do with It?
A look at how the death of the superhero flick could bring back the indie film.
A video interview with Chicago director Mark Harris, conducted by Sonia Smith-Evans, SVP of Development and Production for The Ebert Company.
A reappreciation of last year’s Bones and All.
A feature on the Black Punk movement in art.
A feature that looks at that nagging feeling that something is wrong in horror, using Patrick Brice’s Creep and John Hyams’ Alone as examples.
A review of the new season of The Bear, which premieres on FX on Hulu on June 22nd.
A feature on being a Black Film Critic in 2023.
A personal piece on a journey through loving video games and passing that down to a son.
A feature on Black representation in animation.
A feature on how Hip-Hop has influenced the film industry, including two of this summer’s biggest films.
A dispatch from Tribeca on three world premieres.
A TV review of the new Marvel/Disney show starring Samuel L. Jackson, Olivia Colman, Emilia Clarke, Martin Freeman, Ben Mendelsohn, Don Cheadle, and more.
An interview with the writer and star of The Blackening.
An interview with director Sam Hargrave about his new Netflix action film, Extraction 2.
The full list of writers who contributed to RogerEbert.com’s Black Writers Week 2023 (June 19-25, 2023).
A review of the third season of The Righteous Gemstones, which premieres Sunday night on HBO.
An updating table of contents for all of our Tribeca 2023 coverage.