Fear, Hope, and Joy: Ramata-Toulaye Sy on Banel and Adama
An interview with the director of the French-Senegalese magical realist drama.
An interview with the director of the French-Senegalese magical realist drama.
Chicago International Film Festival celebrates their 60th anniversary by welcoming John C. Reilly, Jennifer Reeder, and Al Roker.
Interview with John Debney, composer of “The Garfield Movie” and “Horizon: An American Saga”
There’s potential in this series and its slower, more contemplative direction, even as it peppers in one martial arts-infused Jedi fight after another.
A new short film for your viewing pleasure, along with an interview with the director.
An interview with the writer/director of the Oscar-nominated animated film Robot Dreams.
The Unloved looks at the twisted brilliance of John Boorman’s Zardoz.
On a pair of international features compelled by the respective pull of retribution and youthful abandon.
Richard Linklater’s new Netflix comedy is just the latest illustration of how we idolize and idealize big-screen assassins—even though the characters rarely live up to our image of them as super-cool killers.
On three surprising entries from this year’s fest about ritual, alienation, and exile.
The documentarian talks about putting together a movie that draws on his abandoned previous projects—and why filmmaking is an endless hustle.
The latest and greatest on streaming and physical media, including Criterion editions of Girlfight, Peeping Tom, and All That Breathes, along with a fantastic Arrow 4K of Joe Carnahan’s Narc.
What’s broken in moviegoing, and some ideas for fixing it.
Jason Gorber explores his post-Cannes thoughts after returning from the fest.
Our critics break down the best films they saw at the festival.
Mortensen sat down to talk about the ways his latest Western subverts any number of genre expectations and how directing has affected his work as an actor.
An article about the 58th Karlovy Vary International Film Festival, running from August 20th through the 28th.
On the teen religious comedy and its impact on a generation of faith-frazzled millennials.
The hip arthouse distributor has claimed the top prize at the last five Cannes Film Festivals. In honor of “Anora,” we rank them all, from very good to all-time classics.
Peacock’s We Are Lady Parts is back and it’s still one of the best shows on TV.