Launching our new Twitter account, @ebertvoices
Today we launch our new Twitter account, @ebertvoices.
Today we launch our new Twitter account, @ebertvoices.
Our new Twitter account is now active. Let me explain our thinking about the new Twitter feed.
Dave Bunting’s video essay examines the visual style of “Breaking Bad” Season 2. He also spoke with the show’s cinematographer, Michael Slovis.
China isn’t paying Hollywood studios; finding American resonances in “The Hunt”; how the media helped Anthony Weiner become a successful exhibitionist; revisiting the first solo rap record.
In a Q&A with an audience for the new film “Still Mine,” James Cromwell discusses everything from the Bush family to his first nude scene.
“Dawn of the Dead”, Japanese-style; the effects of the depression in Greece; what happens when blogs go silent; revisiting Cronenberg’s “The Dead Zone”; Fassbinder/Foley.
On Trayvon and Questlove and feminism and racism; why the American right hates Detroit; Elliott Gould tells tales out of school; why somebody should adapt Stephen King’s ‘The Long Walk.’
“The To Do List” may not be a film of great substance, but this comedy
about a young girl’s strange, semi-erotic journey from untouched maiden
to minx accomplishes something both rare and significant for a teen
movie: it places a female character in the central role as unapologetic
sexual aggressor.
All the movies Stanley Kubrick was known to have liked; the 25 most exciting young female filmmakers in cinema today; Skyler White is not a bitch; why Spike Lee doesn’t need Kickstarter; reporter’s account of watching her elderly parents getting arrested; scientists implant false memory in a mouse’s brain; Paul Thomas Anderson directs Fiona Apple.
Jana Monji reports on the party for Wong Kar Wai’s “The Grandmaster” at Comic-Con 2013 in San Diego.
Jana Monji reports on the Comic-Con panel for the new movie “The World’s End,” from the team behind “Shaun of the Dead” and “Hot Fuzz.”
Ailing ‘Simpsons’ co-creator to give away fortune; ‘Fruitvale Station’ and Trayvon Martin; how comic-book movies make movies irrelevant; correlating violence to hairstyle on ‘Breaking Bad.'”
Chaz considers Roger’s influence on James Mangold’s “The Wolverine.”
What it means to craft “personal” writing; Steven Soderbergh pledges $10,000 to Spike Lee’s Kickstarter film; inside the Malick lawsuit; revisiting “There Will Be Blood.”
You see it happen more and more often these days: a movie pauses to address a potential plot hole, then explains it away with clunky dialogue or ignores it and moves on. The movies are trying to plug leaks in a boat before the whole thing sinks—never quite repairing it, but doing just enough to get by.
Our contest to complete the story Roger started about the Thinking Molecules of Titan is officially closed.
Remembering Dennis Farina; why Nate Silver doesn’t do the Oscars well; eulogizing Detroit; deeper into Troma.