Thumbnails 5/19/2014
Alejandro Jodorowsky says Hollywood is killing cinema; Why you should read Stefan Zweig; What the death of home pages means for the future of news; Bordwell on screenwriting; The rules of cinematic foreplay.
Alejandro Jodorowsky says Hollywood is killing cinema; Why you should read Stefan Zweig; What the death of home pages means for the future of news; Bordwell on screenwriting; The rules of cinematic foreplay.
Our first video segment from the 2014 Cannes Film Festival.
A counterpoint opinion on David Cronenberg’s “Map to the Stars.”
Frederick Wiseman reflects on art—including his own films—in “National Gallery.”
Barbara Scharres Reports on the World Premiere of David Cronenberg’s Map to the Stars.
Life Itself, an interview with Steve James & Chaz Ebert, and “The Roger Ebert Critics Panel” all take place this week in France.
Day five at Cannes sees an analysis of Tommy Lee Jones’ “The Homesman” in light of continued issues with gender equality at the fest.
Abel Ferrara’s thinly veiled take on Dominique Strauss-Kahn screened off-fest.
Barbara Scharres conveys her fourth day at Cannes, including screenings of “Saint Laurent” and “The Wonders,” along with a press conference for John Woo’s “The Crossing.”
Michael Oleszczyk reports on the Cannes premiere of David Michod’s The Rover.
At Cannes, an American documentary and a surreal Israeli comedy examine national identity.
A daily report from Michael Oleszczyk on the unique double feature of How to Train Your Dragon 2 & Winter Sleep.
Another report on day 3 of Cannes 2014, featuring Winter Sleep and Wild Tales.
Cannes Flashback #4: 16 Films in 5 Days; 1 Meal in 5 Hours
Cannes Flashback #3: France’s Depardieu A One-Man Festival
Cannes Flashback #2: David Lynch Gives Filmgoers All They Can Handle
Cannes Flashback #1: A Study in the Art of Being Rude
Troma pays a tearful, stomach-churning tribute to Roger Ebert.
A report on the premiere screening of Atom Egoyan’s “Captives”.
Social media responds to the news that Roger Ebert’s beloved Steak ‘n Shake made it to Cannes the same year “Life Itself” plays there.