NBC Dumps Three New Shows in Lackluster Summer Season
Three new programs premiere on NBC this week. None are worth your time.
Three new programs premiere on NBC this week. None are worth your time.
On her way home, Chaz Ebert takes time to recap the winners of the 2014 Cannes Film Festival.
Libby Hill takes a look at the last few episodes of the 2014 season of “Mad Men.”
A video report on RogerEbert.com’s favorite films of Cannes 2014, including new works by Mike Leigh and the Dardennes brothers.
The Turkish director, a longtime Cannes favorite, won the festival’s top prize.
The latest Cannes 2014 video covers the biggest awards, interviews several of this year’s attendees, and highlights the Dardennes’ “Two Days, One Night” and Ryan Gosling’s “Lost River.”
The annual presentation of the 2014 Palme de Whiskers was a star-studded affair this year.
The Competition section of the 2014 Cannes Film Festival ends with Olivier Assayas’ “Clouds of Sils Maria” with Juliette Binoche, Kristen Stewart, and Chloe Grace Moretz.
The Ukrainian Critics’ Week winner deserves its accolades.
Day nine of the Cannes Film Festival finds our reporter covering Leviathan and Asia Argento’s Misunderstood.
She-Hulk is a feminist hero; Tasteless souvenirs at The 9/11 Museum; Remembering Sam Greenlee; Is Mary Barra standing on a glass cliff?; How to sell a film at Cannes.
Fantastic performances balance out Ryan Murphy and Larry Kramer’s
melodramatic approach to the history of the AIDS crisis in HBO’s
highly-anticipated “The Normal Heart,” premiering Sunday, May 25th,
2014.
An interview with Alejandro Jodorowsky about his deeply personal The Dance of Reality, working with Peter O’Toole, the healing power of cinema and why Twitter is the literature of the 21st century.
A Cannes reporter sees little value in “Jimmy’s Hall,” the latest drama from Ken Loach.
Michael Oleszczyk reports on a discovery in the Quinzaine de Realisateurs section at Cannes this year: Diego Lerman’s “Refugiado.”
Chaz Ebert’s latest video reports on the Cannes premieres of “Foxcatcher,” “The Homesman,” “Mr. Turner,” and “The Wonders,” while offering an extended report on the emotional screening of “Life Itself.”
Boorman and Dolan depict two very different experiences of adolescence.
In honor of the twentieth anniversary of “Pulp Fiction” premiering at the Cannes Film Festival, here’s a video essay about Quentin Tarantino’s cool characters, and how they mythologize themselves.
Paul Walker’s digital double; Why Godzilla is still king; The legacy of “Mr. Smith Goes to Washington”; Larry Kramer on “The Normal Heart” movie; How internet journalism destroyed Tom Cruise.