Cannes 2017: Ruben Ostlund’s “The Square” wins Palme d’Or
Swedish director Ruben Ostlund’s “The Square” won the Palme d’Or at the 70th Cannes Film Festival.
Swedish director Ruben Ostlund’s “The Square” won the Palme d’Or at the 70th Cannes Film Festival.
A report on three offbeat offerings from Cannes 2017.
We pay a visit to Alejandro G. Iñárritu’s “Carne y Arena,” the first virtual-reality piece to be “screened” in Cannes’ official selection.
The annual awards from RogerEbert.com are announced.
On the latest from Lynne Ramsay and Fatih Akin.
Ben Kenigsberg makes his predictions for the 2017 Cannes awards.
Chaz Ebert reports on “The Meyerowitz Stories (New and Selected),” “The Killing of a Sacred Deer” and more in her fourth video dispatch from Cannes 2017.
An article announcing the premiere of Ben Lear’s documentary, “They Call Us Monsters,” on Netflix.
An appraisal of how Ridley Scott has turned his “Alien” franchise into an echo of “Blade Runner.”
A look at three films from Cannes from our very own critic, Simon Abrams.
Three reviews from Cannes, including the latest from Francois Ozon and the Safdie brothers, along with a special out of competition screening.
The latest on Blu-ray and streaming, including “Get Out,” “Resident Evil: The Final Chapter,” “The Great Wall,” “Dheepan,” and “XXX: The Return of Xander Cage.”
A writer and his BB-8 watch all eight of the “Star Wars” films in numerical order.
Bruno Dumont stages a rock opera about Joan of Arc. An Argentine political thriller has a dash of Hitchcock’s “Spellbound.”
A report from Cannes on the latest from Sofia Coppola, along with reviews of two films from Russia.
Brad Jones on “Jesus, Bro!”; Period episode on “Anne With an E”; Perils of writing while female; In defense of radical transparency; Trump praises Rodrigo Duterte.
A video game review of “Prey” and an interview with one of the game’s lead developers.
A report on the latest from Naomi Kawase and the last from Abbas Kiarostami.