Cannes 2023: Close Your Eyes, plus Quentin Tarantino
Víctor Erice returns to feature filmmaking after 30 years. Quentin Tarantino finally visits the Fortnight.
Víctor Erice returns to feature filmmaking after 30 years. Quentin Tarantino finally visits the Fortnight.
On three splashy premieres from Cannes, including HBO’s The Idol, Indy, and Scorsese.
“The Pot-au-Feu,” starring Juliette Binoche and Benoît Magimel, is a delicacy about delicacies.
A video game review of the new title based on the mythology of J.R.R. Tolkien’s Gollum.
Our fourth video dispatch from Cannes 2023 features Chaz Ebert’s discussion with Ben Kenigsberg about “Fallen Leaves,” “Youth (Spring)” and more.
An appreciation of the work of Nicole Holofcener, whose You Hurt My Feelings opens this week.
A TV review of the newest Disney+ show, featuring a reunion of Oscar winners Michelle Yeoh and Ke Huy Quan.
A review of the new Apple TV+ series Platonic, now streaming.
Wes Anderson’s latest nods to far more than just flying-saucer stories.
With Fallen Leaves, Aki Kaurismäki delivers the surprise of the festival so far.
A review of the new animated reboot Gremlins: Secrets of the Mogwai, launching on the rebranded Max this week.
An article about the “In Conversation with Jeffrey Wright” event at the American Pavilion in Cannes on at 12:30pm on Thursday, May 25th, moderated by Chaz Ebert.
Our third video dispatch from Cannes 2023 features a roundtable discussion in which Chaz Ebert is joined by Jason Gorber and Isaac Feldberg to discuss “Killers of the Flower Moon” and “The Zone of Interest.”
At Cannes, Todd Haynes deconstructs tabloid culture and Justine Triet pays homage to Otto Preminger.
Martin Scorsese’s Oklahoma-set crime saga has a gratifying density and complexity.
A tribute to the athlete, movie star, and civil rights activist.
Jonathan Glazer’s loose adaptation of Martin Amis’s 2014 Holocaust novel takes a fundamentally flawed approach.
An updating table of contents for all of our Cannes 2023 coverage.