Cinematographer
Cinematographer Movie Reviews
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Blog Posts That Mention Cinematographer
The Camera is Dancing with Joaquin: Cinematographer Lawrence Sher on Joker, The Hangover and More
The Visual Language of Mudbound Cinematographer Rachel Morrison
June 2025 Blu-Ray/Streaming Guide: “Drop,” “The Nice Guys,” “Dark City,” More
Shark Attack: “Jaws” Remains as Entertaining as It Was 50 Years Ago
The 20 Best Films of 2025 So Far
Rescuing a Movie About Angels From the Devil Himself: Kevin Smith on “Dogma”
Humanizing the Sharks: Sean Byrne on “Dangerous Animals”
A Great Businessman in the Persona of a Wonderful Entertainer: Todd Purdum on Desi Arnaz
Home Entertainment Guide May 2025: Better Man, Black Bag, Mickey 17, More
Cannes 2025: Splitsville, Love Me Tender, Nino
Cannes 2025: The President’s Cake, Death Does Not Exist, Peak Everything
Cannes 2025: Sentimental Value, Romería, The History of Sound
Cannes 2025: It Was Just an Accident, Alpha
Female Filmmakers in Focus: Dea Kulumbegashvili on April
The 2025 TCM Classic Film Festival
April 2025 Blu-Ray Guide: “Anora,” “The Brutalist,” “Heart Eyes,” “One of Them Days,” More
Book Excerpt: Gandolfini: Jim, Tony & the Life of a Legend by Jason Bailey
Transformation and Rebirth: Constance Tsang on “Blue Sun Palace”
Defined In Isolation: Ryan Coogler on “Sinners”
The Dream Within the Fairy Tale: Emilie Blichfeldt on “The Ugly Stepsister”
There’s No Catharsis: David Cronenberg on “The Shrouds”
Revisiting the Bunker: Michael Shannon on “Eric LaRue”
March 2025 Blu-Ray Guide: “Babygirl,” “Sing Sing,” “Den of Thieves 2,” “Moana 2”
Life Sustained by Desire: Alain Guiraudie on “Misericordia”
The Ebert Fellows on True/False 2025
Ambient Comedy: Carson Lund on “Eephus”
SXSW Film Festival 2025: The Baltimorons, For Worse, Magic Hour
Pay Attention Now: Gretchen Mol and Juliana Margulies on “Millers in Marriage”
True/False 2025: Seeds, River of Grass, How Deep Is Your Love
February 2025 Blu-Ray Guide: “Wicked,” “Nosferatu,” “Here,” “Heretic,” More
The Timeless Echoes of “The Spirit of the Beehive”
Brenda Robinson, Acting President of Film Independent, Set to Preside Over 40th Spirit Awards; Aidy Bryant Cheerfully Returns as Host
“Anora,” “Shōgun” Win Big with Critics Choice Awards
Sundance 2025: Life After, Sugar Babies, Seeds
Sundance 2025: Mad Bills to Pay, Rains Over Babel, Serious People
Sundance Film Festival 2025 Preview: 20 Films We Can’t Wait to See
Dream of Death: Robert Eggers on “Nosferatu”
Cinema Is Freedom: Mohammad Rasoulof on “The Seed of the Sacred Fig”
Beachside Mingling at a Poignant Spirit Awards Nominee Brunch
December 2024 Blu-Ray Guide: “The Wild Robot,” “Conclave,” “Alien: Romulus,” More
14 Underrated Movies of 2024
The Great Craft of 2024
Sony’s “Frank Capra at Columbia” 4K Box Set Encapsulates One of America’s Great Filmmakers
Process the Environment: Rachel Morrison on “The Fire Inside”
Two Thumbs Up! The Individual Top Tens of 2024
Kyle Mooney and Evan Winter Go Back in Time with “Y2K”
Female Filmmakers in Focus: Marielle Heller on “Nightbitch”
You Don’t Lie When You Pray: Paul Schrader on “Oh, Canada”
Home Entertainment Guide: November 2024
A Sense of Freedom: Filmmaker and Teacher Bart Weiss Talks About his Book “Smartphone Cinema”
Black Harvest Film Festival 2024: Disco Afrika, It Was All a Dream, Dreams Like Paper Boats
Black Harvest Film Festival 2024: Black Table, Rising Up at Night, The Weekend, Jimmy
Coming of Consciousness: Tyler Taormina on Christmas Eve in Miller’s Point
London Film Festival 2024 Highlights
Our Film Has A Power: Basel Adra and Yuval Abraham on No Other Land
CIFF 2024: The Light of Truth: Richard Hunt’s Monument to Ida B. Wells, Time Passages, Slice of Life: The American Dream. In Former Pizza Huts
Breakfast Is Served—Again: Alan Rudolph on the reissue of “Breakfast of Champions”
CIFF 2024: The Knife, Okie, Bliss
CIFF 2024: Cloud, Grafted, Parvulos
CIFF 2024: Rita, Listen to the Voices, Peacock
Less Sex Scenes, More Sex Shots: Sean Baker and Mikey Madison on “Anora”
NYFF: Stranger Eyes, Harvest, Who By Fire
Home Entertainment Guide: September 2024
A Communication With Light: Azazel Jacobs on “His Three Daughters”
In the Ring: James Madio and Steve Loff on “The Featherweight”
Pull the String: Larry Karaszewski Remembers “Ed Wood” at 30
TIFF 2024: Conclave, Relay, The Assessment
TIFF 2024: Dead Talents Society, Else, Dead Mail
TIFF 2024: Daniela Forever, Can I Get a Witness?, Ick
TIFF 2024: Bonjour Tristesse, The Fire Inside, The Last Showgirl
Female Filmmakers in Focus: Mika Gustafson and Alexander Öhrstrand
TIFF 2024: 20 World Premieres We Can’t Wait to See
Home Entertainment Guide: August 2024
13 Films Illuminate Locarno Film Festival’s Columbia Pictures Retrospective
Tina Mabry and Edward Kelsey Moore on the Joy and Uplift of The Supremes at Earl’s All-You-Can-Eat
Locarno Film Festival 2024: By the Stream, Toxic, Drowning Dry, When the Phone Rang
A Woman Without Peers: Gena Rowlands (1930-2024)
Female Filmmakers in Focus: Angela Patton and Natalie Rae
The Texture of Night: How Collateral Revolutionized Movies
A Moment in the Spotlight: On The King of Comedy
Looking Into My Soul: Colman Domingo on Sing Sing
Fantasia 2024: Bookworm, Shelby Oaks, The Count of Monte Cristo
10 Films to Thrill You at the 2024 Fantasia International Film Festival
There Will be No Questions: The Parallax View, the Ultimate Conspiracy Thriller, Turns 50
Jan de Bont on Flying Cows, Philip Seymour Hoffman and the Enduring Appeal of ‘Twister’
Time to Bloom: KiKi Layne on Dandelion
Home Entertainment Guide: June 2024
The Best Films of 2024 So Far
What If a Movie Called IF Found an Audience?
The Presumed Innocent Movie Was a Highlight of Hollywood’s Page-Turner Era
Cannes 2024 Video #9: Festival Wrapup
Cannes 2024: Christmas Eve in Miller’s Point, Eephus, To A Land Unknown
With Flipside, Chris Wilcha Made a Triumphant Film About Failure
Cannes 2024: It’s Not Me, Filmlovers!, Misericordia
