Freddy Got Fingered
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Green
Green
Green Movie Reviews
Blog Posts That Mention Green
Female Filmmakers in Focus: Sierra Falconer on “Sunfish (& Other Stories on Green Lake)”
Do You Hear Your Trees? They’re Crying: Graham Greene (1952—2025)
Movies for the Freaks: Mark Anthony Green on “Opus”
Sundance 2025: Sunfish (and Other Stories on Green Lake), Plainclothes
TIFF 2023: The Beast, Evil Does Not Exist, Shoshana, Green Border
Vincent Cassel, Eva Green Waste Time on Dull Spycraft in Apple TV+’s Liaison
Bright Wall/Dark Room November 2021: Why You Want to Leave Me? by Steph Green
Video Interview: Zora Howard and Rashaad Ernesto Green on Premature
Telluride 2019: Kitty Green on Her Pre-#MeToo Thriller, The Assistant
2019 Oscar Winners Include Green Book, Rami Malek, Olivia Colman, Ruth Carter, Spike Lee
Green Book, Bohemian Rhapsody Win Big at 76th Golden Globe Awards: A Complete List of Winners
TIFF 2018: Green Book, First Man, Hotel Mumbai
Bright Wall/Dark Room April 2018: The Force that Through the Green Fuse Drives the Flower: On A Little Princess and The Secret Garden by Corbin Dewitt
Put ‘Em In the Stew: Jeremy Saulnier on “Green Room”
Roger’s Favorites: David Gordon Green and Jeff Nichols
TIFF 2015: “Green Room”
Cannes 2015: “Hitchcock/Truffaut,” “Green Room,” “Love”
Observations of an Awards Season Skeptic, Part 4: Green Card Blues
No Safety Net: Eugenia Yuan on “Revenge of the Green Dragons”
TIFF 2014 Interview: Al Pacino & David Gordon Green on “Manglehorn”
Interview: Dave Green and Teo Halm on “Earth to Echo”
David Gordon Green & Tye Sheridan on the Creative Volatility of “Joe”
Sundance Report: “The Green Prince” and “R100.”
David Gordon Green’s Traveling Movie Circus
Colorless green ideas “Sleep Furiously”
Female Filmmakers in Focus: Alice Winocour on “Couture”
Tribeca 2026: The Narratives
Uncomfortable Truths: “Set It Off,” “Girl 6,” and “Naked Acts” at 30
Radical Whimsy: Exploring the Creative Mind of Boots Riley
Paramount+’s “The Agency” Expands Its Scope With An Exhilarating Second Season
The 20 Best Films of 2026 So Far
Cannes 2026 Video #5: Festival Dispatch with Ben Kenigsberg
The Night I Danced On Stage With Michael Jackson
An Act of Translation: David Lowery on “Mother Mary”
Short Films in Focus: Trapped (with Sam Cutler-Kreutz)
Netflix’s “Jo Nesbø’s Detective Hole” Feels A Bit Overstuffed
SXSW 2026: Beyond the Duplex Planet, Cornbread Mafia, My Brother’s Killer
All the Days of My Life: On Elaine May’s “A New Leaf”
The Artistic Exploration & Wit of Charli xcx
Christy Lemire Bids a Fond Farewell to RogerEbert.com
“God of War: Sons of Sparta” is a Clunky Footnote in Legacy of Incredible Franchise
Chaz Ebert Remembers Reverend Jesse Jackson: Oct 8, 1941 – February 17, 2026
Book Excerpt: The World of Black Film: A Journey Through Cinematic Blackness in 100 Films by Ashley Clark
The Belle of Absurdity: Catherine O’Hara (1954-2026)
Sundance 2026: The Oldest Person in the World, Give Me the Ball!, The Last First: Winter K2
Sundance 2026: The Best Summer, Saccharine, Rock Springs
Sundance 2026: Joybubbles, Soul Patrol, Who Killed Alex Odeh?
Sundance 2026: Leviticus, Buddy, Mum I’m Alien Pregnant
The 17 Best Movies About Radio, Ranked
School Spinoff “Star Trek: Starfleet Academy” Boldly Goes Through Growing Pains
40 Shows We Can’t Wait to Watch in 2026
40 Movies We Can’t Wait to See in 2026
Chaz Ebert’s 30 Best Movies of 2025 (and One Guilty Pleasure)
The Great Craft of 2025
With “Metroid Prime 4,” Nintendo’s Frankenstein is Beyond Saving
The 8 Essential Films of Rob Reiner’s Career
Sundance Film Festival Announces 2026 Line-Up
Swan Song: Udo Kier (1944-2025)
Tokyo Film Festival 2025: “Demon Pond” and Japanese Yokai Culture
It’s The Funniest Shit: Hikari on ‘Rental Family’
It’s Epic to Live a Normal Life: Joel Edgerton and Clint Bentley on “Train Dreams”
No Other Land: Surviving a Crushing Machine
Home Entertainment Guide October 2025: “F1,” “Eddington,” “Weapons”
CIFF 2025: One Golden Summer, Before the Call, Adult Children, Only Heaven Knows
The Breadth of Humanity: Yorgos Lanthimos & Will Tracy on “Bugonia”
What Really Matters is What You Like: “High Fidelity” at 25
Female Filmmakers in Focus: Rebecca Miller on “Mr. Scorsese”
