Blog Posts That Mention Edited
Interviews
Liminal Spaces, Transitional States: Alexander Ullom on “It Ends”
15 hours ago
Features
Locarno Film Festival 2026 Wrap-up
3 days ago
Festivals & Awards
Locarno Film Festival 2026: 17 Urgent Hollywood Blacklist Films
4 days ago
Interviews
The Opposite is Connection: Will Poulter and Noah Centineo on “Union County”
August 14, 2026
Interviews
A Comedy Legacy: Broken Lizard on “Super Troopers 3”
August 10, 2026
Interviews
A Man of Letters: Kent Jones on “Late Fame”
August 7, 2026
Interviews
It’s Libidinal: Hannah Einbinder and Jane Schoenbrun on “Teenage Sex and Death at Camp Miasma”
August 6, 2026
Interviews
Female Filmmakers in Focus: Julia Hart on “Don’t Say Good Luck”
August 5, 2026
Interviews
Desire Is the Catalyst: Gregg Araki on “I Want Your Sex”
July 30, 2026
Features
Movies Aren’t Therapy: “Mike Mills” on Parents, Children, and Filmmaking
July 29, 2026
Interviews
Advance to Paradise, Retreat to Hell: Kiyoshi Kurosawa on “The Samurai and the Prisoner”
July 28, 2026
Interviews
Cinema is My Calling Again: Nicolas Winding Refn on “Her Private Hell”
July 23, 2026
Interviews
Closer to Trees: Hirokazu Kore-eda on “Sheep in the Box”
July 20, 2026
Interviews
He’s Just That Guy: Jeffrey Wright on “Basquiat”
July 13, 2026
Books
Fascinating New Angle on Legendary Career Explored in The Dreamer’s Path by Brent Simon
July 13, 2026
Interviews
A Leaning Tower of Camp: John Early on “Maddie’s Secret”
July 7, 2026
Interviews
You Have to Commit: Robert Richardson on “Robert Richardson: The White Devil”
July 6, 2026
Festivals & Awards
2026 Karlovy Vary International Film Festival Preview: 10 Films We Can’t Wait to See
July 3, 2026
Roger Ebert
10 of Roger Ebert’s Favorite Movies About America
July 3, 2026
Interviews
Female Filmmakers in Focus: Alice Winocour on “Couture”
July 1, 2026
Interviews
The Element of Risk: Olivia Wilde on “The Invite”
June 25, 2026
Interviews
Out of the Mouths of Cutlery: Tony Hale on “Toy Story 5”
June 22, 2026
Black Writers Week
Film Criticism’s Crisis in the Letterboxd Era
June 16, 2026
Tributes
The Woman Who Saved “Star Wars”: Marcia Lucas (1945-2026)
June 3, 2026
Interviews
Female Filmmakers in Focus: Milagros Mumenthaler on “The Currents”
June 3, 2026
Books
Documentary Now! 4th Edition is an Incredible Companion to Beloved Show
May 28, 2026
Festivals & Awards
Cannes 2026 Video #7: Festival Dispatch with Jason Gorber
May 21, 2026
Festivals & Awards
Cannes 2026 Video #5: Festival Dispatch with Ben Kenigsberg
May 18, 2026
Interviews
I’m Trying to Create Visceral Things: Boots Riley on “I Love Boosters”
May 18, 2026
Festivals & Awards
Cannes 2026 Video #4: Festival Dispatch with Zachary Lee
May 17, 2026
Festivals & Awards
Cannes 2026: Paper Tiger, Sheep in the Box
May 17, 2026
Festivals & Awards
Cannes 2026 Video #3: Nagi Notes, Camp Miasma, Werner Herzog
May 15, 2026
Festivals & Awards
Notes from the Red Carpet of the 2026 Chicago Critics Film Festival
May 13, 2026
Interviews
You Can’t Stay Here: Adam Scott and Damian McCarthy on “Hokum”
May 1, 2026
Ebertfest
Love’s in Need of Love Today: Reflections on EbertFest, Cinema, and Empathy
April 27, 2026
Interviews
An Act of Translation: David Lowery on “Mother Mary”
April 27, 2026
Interviews
Female Filmmakers in Focus: Sophy Romvari on “Blue Heron”
April 17, 2026
Interviews
The Best Version of the Thing: Steven Soderbergh on “The Christophers”
April 17, 2026
Interviews
“Jury Duty: Company Retreat”‘s Unsuspecting Hero On Life After Rockin’ Grandmas
April 14, 2026
Interviews
“It Became a Dark Place”: Chief Geoffrey Standing Bear on “Killers of the Flower Moon”
April 2, 2026
Interviews
Shuffling and Whittling and Experimenting: Austin Keeling and Lam T. Nguyen on Editing the Told-on-Screens Film “Mercy”
March 26, 2026
Interviews
A Screenwriter’s Dream—and Nightmare: Drew Goddard on “Project Hail Mary”
March 19, 2026
Festivals & Awards
SXSW 2026: Imposters, Sender, Monitor
March 17, 2026
Festivals & Awards
SXSW 2026: Adam’s Apple, The Dads, Your Attention Please
March 14, 2026
Interviews
We Broke the Loop: Ian Tuason and Nina Kiri on “undertone”
March 12, 2026
Women Writers Week
Monstrous Women: From Medusa to the Bride and Rumi Too
March 6, 2026
Women Writers Week
I’ve Started Seeing Somebody: The Monstrous-Masculine in Larry Fessenden’s “Habit”
March 5, 2026
Women Writers Week
All the Days of My Life: On Elaine May’s “A New Leaf”
March 4, 2026
Women Writers Week
Joan Cusack: Best Supporting Energy
March 2, 2026
Black Writers Week
Celebrating Black Cinema: Shawn Edwards on the Black Movie Hall of Fame
February 18, 2026
Interviews
Willing Participants: Harry Lighton and Harry Melling on “Pillion”
February 13, 2026
Interviews
It All Starts With the Meditation App: Bart Layton on “Crime 101”
February 11, 2026
Interviews
I Will See You In Dreams: Akinola Davies Jr. on “My Father’s Shadow”
February 10, 2026
Interviews
Jump Into the Abyss: Óliver Laxe and Sergi López on “Sirât”
February 5, 2026
Interviews
Female Filmmakers in Focus: Amanda Kramer on “By Design”
February 4, 2026
Interviews
Turns and Tonal Shifts: Jason Biggs and Meaghan Rath on “Untitled Home Invasion Romance”
January 29, 2026
Interviews
Time is Very Precious: Hlynur Pálmason and Julius Krebs Damsbo on “The Love That Remains”
January 26, 2026
Interviews
Lightning in a Bottle: Angus MacLachlan on “A Little Prayer”
January 23, 2026
TV/Streaming
FOX’s “Memory of a Killer” Can’t Remember Why It Exists
January 23, 2026
Interviews
Aim Your Rage at the Right Target: Park Chan-wook and Lee Byung-hun on “No Other Choice”
January 16, 2026
Interviews
Craziness and Contradiction: Kirill Serebrennikov on “Limonov: The Ballad”
January 12, 2026
Interviews
To Love Each Other: Jean-Pierre and Luc Dardenne on “Young Mothers”
January 7, 2026
Interviews
Female Filmmakers in Focus: Rebecca Zlotowski on “A Private Life”
January 7, 2026
Tributes
Poetry in the Abyss: Béla Tarr (1955-2026)
January 7, 2026
TV/Streaming
Cute Chaos: Penny Lane on “Happy And You Know It”
January 6, 2026
DVD/Blu-Ray
Home Entertainment Guide December 2025: “Black Phone 2,” “Bugonia,” “Good Fortune,” More
December 30, 2025
Interviews
Ecstasy and Agony: Mona Fastvold on “The Testament of Ann Lee”
December 24, 2025
Interviews
Cinema Is My Church: Rian Johnson on “Wake Up Dead Man: A Knives Out Mystery”
December 8, 2025
Festivals & Awards
RescueFest Opens with Restoration of Steve Buscemi’s Wonderful “Trees Lounge”
December 4, 2025
Festivals & Awards
Reflections on the 2025 Tailinn Black Nights Film Festival
November 26, 2025
Festivals & Awards
No Good Deed Will Go Unpunished: Kleber Mendonça Filho and Wagner Moura on “The Secret Agent”
November 25, 2025
Interviews
I’m Just An Actor: Rebuilding Roles with Josh O’Connor
November 20, 2025
Interviews
It’s Epic to Live a Normal Life: Joel Edgerton and Clint Bentley on “Train Dreams”
November 18, 2025
Interviews
A Source of Inspiration: Elle Fanning and Stellan Skarsgård on “Sentimental Value”
November 17, 2025
Interviews
We Live in Time: Joachim Trier on “Sentimental Value”
November 14, 2025
TV/Streaming
Netflix’s “Last Samurai Standing” is One of the Best Action Shows of the Year
November 13, 2025
Interviews
Hard Places: Max Walker-Silverman on “Rebuilding”
November 11, 2025
Interviews
You’re Living Intrusive Thoughts: Jennifer Lawrence and Lynne Ramsay on “Die My Love”
November 7, 2025
Interviews
Female Filmmakers in Focus: Sepideh Farsi on “Put Your Soul on Your Hand and Walk”
November 5, 2025
DVD/Blu-Ray
Home Entertainment Guide October 2025: “F1,” “Eddington,” “Weapons”
October 30, 2025
Interviews
The Breadth of Humanity: Yorgos Lanthimos & Will Tracy on “Bugonia”
October 24, 2025
Interviews
Nothing Closes the Doors to Creating: Jafar Pahani on “It Was Just an Accident”
October 15, 2025
Interviews
It’s A Process: Kelly Reichardt on “The Mastermind” and Josh O’Connor’s Timeless Mug
October 14, 2025
Interviews
The First Responders of the Internet: Lili Reinhart on “American Sweatshop”
September 19, 2025
Festivals & Awards
TIFF 2025: Dust Bunny, The Furious, Normal
September 12, 2025
Interviews
Back to Duality: James Sweeney and Dylan O’Brien on “Twinless”
September 5, 2025
Interviews
You’re Enough, Just So You Know: Jay Duplass and Michael Strassner on “The Baltimorons”
September 4, 2025
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