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RescueFest Opens with Restoration of Steve Buscemi’s Wonderful “Trees Lounge”
Reflections on the 2025 Tailinn Black Nights Film Festival
No Good Deed Will Go Unpunished: Kleber Mendonça Filho and Wagner Moura on “The Secret Agent”
I’m Just An Actor: Rebuilding Roles with Josh O’Connor
It’s Epic to Live a Normal Life: Joel Edgerton and Clint Bentley on “Train Dreams”
A Source of Inspiration: Elle Fanning and Stellan Skarsgård on “Sentimental Value”
We Live in Time: Joachim Trier on “Sentimental Value”
Netflix’s “Last Samurai Standing” is One of the Best Action Shows of the Year
Hard Places: Max Walker-Silverman on “Rebuilding”
You’re Living Intrusive Thoughts: Jennifer Lawrence and Lynne Ramsay on “Die My Love”
Female Filmmakers in Focus: Sepideh Farsi on “Put Your Soul on Your Hand and Walk”
Home Entertainment Guide October 2025: “F1,” “Eddington,” “Weapons”
The Breadth of Humanity: Yorgos Lanthimos & Will Tracy on “Bugonia”
Nothing Closes the Doors to Creating: Jafar Pahani on “It Was Just an Accident”
It’s A Process: Kelly Reichardt on “The Mastermind” and Josh O’Connor’s Timeless Mug
The First Responders of the Internet: Lili Reinhart on “American Sweatshop”
TIFF 2025: Dust Bunny, The Furious, Normal
Back to Duality: James Sweeney and Dylan O’Brien on “Twinless”
You’re Enough, Just So You Know: Jay Duplass and Michael Strassner on “The Baltimorons”
Healers and Nurturers: Ethan Hawke on the Artists of “Blue Moon” and “Highway 99: A Double Album”
The Best American Actor of His Generation: David Strathairn on “A Little Prayer”
British Banter Envy: Jay Roach and Tony McNamara on “The Roses”
You Don’t Know What Your Time Is Like Until Later: Alex Russell on “Lurker”
Hawaiian Shirts Are Great to Fight In: Bob Odenkirk on “Nobody 2”
Female Filmmakers in Focus: Hind Meddeb on “Sudan, Remember Us”
San Diego Comic-Con 2025: Aliens and Activations
Two Become One: Dave Franco, Alison Brie, and Michael Shanks on “Together”
Dead Man Walking: Taron Egerton on “She Rides Shotgun”
Our Minds Have Been Colonized: Ari Aster on “Eddington”
KVIFF 2025: Stellan Skarsgård on “Sentimental Value,” Ingmar Bergman, and Cinematic Empathy
KVIFF 2025: “Bidad” Director Soheil Beiraghi on Filming Undercover, Amplifying the Voices of Iranian Gen-Z Women
Female Filmmakers in Focus: Victoria Mahoney on “The Old Guard 2”
The Great and Magical Creation of This Reality: Mariana Treviño on “Stick”
Friendship Is Insane: Eva Victor on “Sorry, Baby”
Desire Never Goes Away: Sarah Friedland and Kathleen Chalfant on “Familiar Touch”
Rescuing a Movie About Angels From the Devil Himself: Kevin Smith on “Dogma”
Dancing With Death: Mike Flanagan on “The Life of Chuck”
Female Filmmakers in Focus: Marva Nabili on “The Sealed Soil”
Humanizing the Sharks: Sean Byrne on “Dangerous Animals”
We Relate: Andrew DeYoung on “Friendship”
The Red Carpets of the 2025 Chicago Critics Film Festival
Cannes 2025 Video #2: Isaac Feldberg on Eddington, Chronology of Water, Left-Handed Girl, and More
Cannes 2025: Left-Handed Girl, Sirât
The Florida Film Festival: An Oasis for Creative Souls
That’s What Disruption Does For Me: Gareth Evans on “Havoc”
Wonder Is Everything: Willem Dafoe on “The Legend of Ochi”
Transformation and Rebirth: Constance Tsang on “Blue Sun Palace”
Defined In Isolation: Ryan Coogler on “Sinners”
The Dream Within the Fairy Tale: Emilie Blichfeldt on “The Ugly Stepsister”
There’s No Catharsis: David Cronenberg on “The Shrouds”
Screen Scholars Assemble in Chicago Despite Culture Warfighters Defunding Universities
Total Fidelity: Alex Garland and Ray Mendoza on “Warfare”
Short Films in Focus: Incident
Revisiting the Bunker: Michael Shannon on “Eric LaRue”
Life Sustained by Desire: Alain Guiraudie on “Misericordia”
Female Filmmakers in Focus: Fleur Fortuné on “The Assessment”
Ambient Comedy: Carson Lund on “Eephus”
Finding a Way Home: André Holland Never Rests
Movies for the Freaks: Mark Anthony Green on “Opus”
Short Films in Focus: David and Sam Cutler-Kreutz on “A Lien”
“Out of My Mind” Director Amber Sealey on Casting Authenticity and Breaking Barriers
More Than Rage: Rungano Nyoni and Susan Chardy on “On Becoming a Guinea Fowl”
Sex, Love and Pickles: Amy Irving, Peter Riegert and Susan Sandler on “Crossing Delancey”
A Preview of the 2025 Rendez-Vous with French Cinema
Scott Derrickson Dives Deep into “The Gorge”
In the Name of Friendship: Matthew Rankin on “Universal Language”
Book Excerpt: An Anthony Mann Reader by Scout Tafoya
The Trauma of Inevitability: Brady Corbet and Mona Fastvold on “The Brutalist”
Dream of Death: Robert Eggers on “Nosferatu”
Cinema Is Freedom: Mohammad Rasoulof on “The Seed of the Sacred Fig”
14 Underrated Movies of 2024
The Great Craft of 2024
Process the Environment: Rachel Morrison on “The Fire Inside”
No Box He Won’t Escape From: James Mangold on “A Complete Unknown”
Two Thumbs Up! The Individual Top Tens of 2024
We Need Art More Than Ever: Jude Law, Jurnee Smollett on “The Order”
Kyle Mooney and Evan Winter Go Back in Time with “Y2K”
You Don’t Lie When You Pray: Paul Schrader on “Oh, Canada”
A Sense of Freedom: Filmmaker and Teacher Bart Weiss Talks About his Book “Smartphone Cinema”
Love Is Political: Payal Kapadia on “All We Imagine as Light”
J-Horror Lives: Introducing “Missing Child Videotape” Director Ryota Kondo
Time Moves On: Jesse Eisenberg on “A Real Pain”
Coming of Consciousness: Tyler Taormina on Christmas Eve in Miller’s Point
Living Forward: Adam Elliot on “Memoir of a Snail”
Alessandra Lacorazza, Sasha Calle, Lío Mehiel on “In the Summers”
