The Boy Next Door
The Boy Next Door has its share of so-bad-they’re-good moments – and details, and chunks of dialogue – but not nearly enough. Mostly, they’re just…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Is Bryan Singer's "The Usual Suspects" (1995) one of the greatest films ever made? I admit there was a time, right after I saw it, that it seemed special. For most of my first viewing, I thought I was watching a standard crime thriller when suddenly it caught me off-guard and left me stunned. Once the DVD came out, I rushed to buy it but then, as the years went by, I noticed it had been left on its shelf abandoned as I had little interest in watching it again. I couldn't remember much about the characters or the plot, in fact, there was only one thing that stuck in my mind about it. Readers who've previously watched it will instantly know what I'm taking about.
PARK CITY, Utah (AP) Ñ Two films examining immigrant life in America, the Hispanic teen drama "Quinceanera" and the Sudanese refugee documentary "God Grew Tired of Us," won top honors Saturday at the Sundance Film Festival.
Q. Will Warner Bros. will try at some point to revitalize the Superman franchise through a Batman film, a la "The Dark Knight Returns?" I think it would be interesting to see. (Francisco L. Mendez, Dallas, Tx.)
Q. You didn't like "The Usual Suspects" because of the ending. I liked the ending, the dark atmosphere director Bryan Singer created, the acting (especially by Gabriel Byrne, Kevin Spacey and Chazz Palminteri), and the movie as a whole. The last time I had this much fun at the movies was at "Pulp Fiction." Maybe you should ask random people from the audience, because you could be the only one who didn't like the trick ending. (Mike D'Alessandro, Acton, Mass.)
NEW YORK -- Woody Allen's new comedy, "Bullets Over Broadway," is about a man who takes his art so seriously he is willing to kill for it. The man is a gangster, circa 1930, who gets involved in the rewrite of a play, and doesn't want anybody screwing it up.
Ebert's Best Film Lists 1967 - present
Toronto, Canada -- A kid is sitting on his front stoop in the Bronx when two guys get into a fight over a parking space. One pulls out a baseball bat. The other one pulls out a gun and shoots the first guy dead. The kid sits there wide-eyed and sees everything, and the killer notices him, and looks at him, hard, and the kid gets the message: In the neighborhood, nobody is lower than a squealer.