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I Lost My Body

A visually sumptuous slice of macabre storytelling that works best when it uses its director’s magical sense of composition and less when it feels weighed…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Sundance 2019: Table of Contents

The following Table of Contents includes our updating coverage of the 2019 Sundance Film Festival, as written by Brian Tallerico, Nick Allen, Tomris Laffly and Monica Castillo. The coverage from Ebert Fellows Niani Scott, Whitney A. Spencer, Tiffany Walden is posted after this list.



"Always in Season"

"Anthropocene—The Human Epoch"



"Before You Know It"

"Big Time Adolescence"

"Blinded by the Light"

"The Boy Who Harnessed the Wind"

"Brittany Runs a Marathon"


"Corporate Animals"


"David Crosby: Remember My Name"

"Dirty God"

"Divine Love"

"Dolce Fine Giornata"

"Extremely Wicked, Shockingly Evil and Vile"

"The Farewell"

"Fighting with My Family"

"Give Me Liberty"

"Greener Grass"


"The Hole in the Ground"

"Honey Boy"

"I Am Mother"

"Imaginary Order"

"The Inventor: Out for Blood in Silicon Valley"

"Knock Down the House"

"The Infiltrators"

"The Last Black Man in San Francisco"

"Late Night"

"Little Monsters"

"The Lodge"


"Love, Antosha"



"Marianne & Leonard: Words of Love"

"Memory - The Origins of Alien"

"Merata: How Mum Decolonised the Screen"

"Midnight Family"



"Ms. Purple"

"The Mustang"

"Native Son"

"Official Secrets"

"One Child Nation"




"Queen of Hearts"

"The Report"

"Sea of Shadows"

"Selah and the Spades"


"Sister Aimee"

"The Sound of Silence"

"The Souvenir"

"Steig Larsson: The Man Who Played With Fire"

"The Sunlit Night"


"To the Stars"

"Them That Follow"

"This is Not Berlin"

"Top End Wedding"

"Troop Zero"


"Velvet Buzzsaw"

"We Are Little Zombies"

"The Wolf Hour"


"Wu-Tang: Of Mics and Men

The Best Performances of the 2019 Sundance Film Festival

The Best Films of the 2019 Sundance Film Festival


Jennifer Kent, director of "The Nightingale"

Julius Onah, director of "Luce"

Laure de Clermont-Tonnerre, director of "The Mustang"


Ebert Fellow Tiffany Walden's First Impressions of Sundance 2019

Suzan-Lori Parks on Adapting "Native Son" by Tiffany Walden

BET's Boomerang Reboot Has Its World Premiere in Park City by Tiffany Walden

Principles of Empathy: Ebert Fellow Whitney Spencer's First Impressions of Sundance 2019

Chinonye Chukwu's Clemency Offers Questions of Advocacy, Redemption by Whitney Spencer

The Empathy of Virtual Reality by Whitney Spencer 

Bringing Chicago to Park City: Ebert Fellow Niani Scott's First Impressions of Sundance  


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