If Beale Street Could Talk
Jenkins’ decision to let the original storyteller live and breathe throughout If Beale Street Can Talk is a wise one.
Read her answers to our Movie Love Questionnaire here.
Sheila writes: Todd Sanders is a self-taught neon sign artist. Roadhouse Relics, the gallery of his work in Austin, Texas, is filled with his beautiful vintage-inspired signs. His designs are all hand-drawn. He collects old magazines from the 1920s, 1930s, etc., to get inspiration for his neon signs. He does custom signs as well. You can check out Sanders' work, bio, and press kit at Roadhouse Relics. Neon brings up all kinds of automatic images and associations: seedy hotels, burlesque joints, cocktail bars. His signs evoke those images, but much more. For instance, look at his beautiful "Fireflies In a Mason Jar".
Sheila writes: While life can often be messy and awful, and the bombardment of bad news from around the globe is disheartening to say the least, sometimes it really helps to sit back, relax, and watch a bunch of guys working together to play "Flight of the Bumblebees" on the cliched 100 bottles of beer on the wall. This clip came out a couple of years ago and I haven't tired of it. I love the collaboration and the creativity. I love in particular the scene that isn't shown here, the one where they worked it all out.
Sheila writes: The glamorous days of air travel were already on their way out by the time I first stepped foot on an airplane (Aer Lingus, 1980) so I have always been fascinated by glimpses of what traveling by plane used to be like: the linens, the cocktail glasses, the curtains, the elegance! I came across a piece about a man, Anthony Toth, who had such a sense of nostalgia for those bygone days that he built a partial replica of a Pan Am 747 in a warehouse in Redondo Beach, where he lives. At first, the replica was in his garage, but then he realized he needed to build an upper level, so he moved the entire thing to a warehouse, where it still sits today. The local press picked up on the story, and it created such interest that you can now visit and have dinner, Pan Am style.
Sheila writes: Thank you all for taking the time to answer our survey! We will keep you posted on any changes that may come about. So let's get to the newsletter, shall we? Jack Kerouac famously wrote the majority of "On the Road" on one long scroll of paper. Kerouac found that taking the time to remove the finished pages off of the typewriter and replacing them with a fresh sheet interrupted his flow. California artist Paul Rogers, who has done ten book covers for Random House UK of Hemingway classic, has created an online scroll of beautiful illustrations for Kerouac's novel. Evocative and gritty, they make a great companion piece for "On the Road". You can see more of Paul Rogers' cool work at his site.
This week, Ebert Club bids farewell to Marie Haws! Chaz shares her thoughts and plans for the Ebert Club, and introduces the new Chief Correspondent of the newsletter, Sheila O'Malley. Additionally, we have included a brief survey for Ebert Club subscribers. We want to hear from you!
What are we to make of Owen Wilson, he with the tow-colored mop of hair, the crooked nose, and the smile that seems to need so much in return? In certain contexts, Owen Wilson's smile is heartbreaking. Not just in more serious roles, but in everything. One does not often think of grown men as being "wistful" or full of "pathos"; only little plucky orphans in pig-tails and pinafores should be "wistful."