Cannes 2019: Family Romance LLC, The Climb, The Invisible Life of Euridice Gusmao
Werner Herzog, newcomer Michael Angelo Covino, and Brazilian director Karim Aïnouz offer very different, very peculiar meditations on family.
Werner Herzog, newcomer Michael Angelo Covino, and Brazilian director Karim Aïnouz offer very different, very peculiar meditations on family.
A third video dispatch from Cannes 2019.
An updating table of contents for all of our coverage of the 2019 Cannes Film Festival.
A review of new films by Terrence Malick and Corneliu Porumboiu.
The Witch director Robert Eggers’ The Lighthouse is the first movie at Cannes 2019 that actually looks like a classic. Plus: Gaspar Noé’s mystery midnight movie, Lux Aeterna.
On two more world premieres from Cannes 2019.
In their new horror-tinged efforts, festival regulars Nicolas Winding Refn and Bertrand Bonello go down baffling roads.
Taron Egerton plays Elton John in a biopic that turns into a full camp extravaganza.
A dispatch on three premieres from the Cannes Film Festival.
A video dispatch on the first full day of activities from Cannes 2019.
For Sama is a stunning first-person documentary about the siege of Aleppo. Beanpole confirms Kantemir Balagov as a major talent.
A review of Jim Jarmusch’s new film with Bill Murray and Adam Driver.
Quentin Dupieux’s absurdist comedy Deerskin opened Directors’ Fortnight. Chloë Sevigny adds balance to the deadpan humor of Jim Jarmusch’s The Dead Don’t Die.
A look back at the 2019 Bentonville Film Festival, including Ophelia, Blinded by the Light and The Garden Left Behind.
A preview of the 2019 Chicago Critics Film Festival.
A recap of the San Francisco Silent Film Festival.
A preview of the 2019 Cannes Film Festival.