Anemone
Ronan Day-Lewis’s feature debut “Anemone” is an ambitious and expressionistic family drama about brothers and fathers, but its obtuse nature leaves the audience feeling estranged.
Ronan Day-Lewis’s feature debut “Anemone” is an ambitious and expressionistic family drama about brothers and fathers, but its obtuse nature leaves the audience feeling estranged.
A preview of this year’s event with critical thoughts on Late Fame, Peter Hujar’s Day, and The Mastermind.
A final dispatch from Fantastic Fest on three very different films from three promising directors.
On three imports to Fantastic Fest, including two of the best of this year’s line-up.
A movie that frustrates more than it thrills, never quite finding the right tone for the most harrowing night in the lives of its characters.
On three buzzed premieres from Austin’s horror fest.
A leaden bore, a movie that alternates between making no sense at all and insulting the intelligence of the audience.
On a double feature from opening night of Austin’s beloved genre festival.
A Canadian correspondent closes out our 2025 TIFF coverage with his perspective on a fest at crossroads, especially when it comes to how it handles documentaries about sensitive subjects.
A news brief about an award named after this site’s Publisher, Chaz Ebert.
On three well-liked TIFF films.
On three very different films from TIFF, including a timely historical drama with Russell Crowe.
On three dramas from TIFF, including one of the best films of the year.
On three animated features from this year’s fest.
On three Midnight Madness films: The film directorial debut of Bryan Fuller, a new gun fu classic, and more Bob Odenkirk action.