Lost in the Movie Wilderness: “The Iron Giant” To the Rescue
An appreciation of Brad Bird’s “The Iron Giant” on its 15th anniversary.
An appreciation of Brad Bird’s “The Iron Giant” on its 15th anniversary.
“Life Itself” among year’s best films; Dismal summer box office; Cary Elwes on “The Princess Bride”; Not wild about “Wild”; 21 films to see this fall.
An excerpt from “Showrunners: The Art of Running a TV Show,” which includes interviews with Joss Whedon, Damon Lindelof, Ronald D.Moore, Terence Winter, Bill Prady, Shawn Ryan, David Shore, Jane Espenson and more.
The first installment of “Short Films in Focus” takes a look at “Paraíso” by Nadav Kurtz.
A new look at the role of hero and villain in Ridley Scott’s “Blade Runner.”
The right kind of 90s nostalgia; Cynthia Rothrock: Expendabelle; Favorite Fincher moments; Ten underrated 2014 performances; Chatting with Whit Stillman.
David Chase comments on Tony Soprano’s fate; How writers find their voices; The ‘Star Wars’ Lucas wants to forget; 20 overlooked 60s thrillers; Hollywood’s new hit factory.
A feature about John Alvin, movie poster artist and the subject of “The Art of John Alvin.”
Patty McCormack in “The Bad Seed”; Congress harasses Laverne Cox; Remembering Richard Attenborough; Frank Miller’s Dark Night; Reflections on “One Hour Photo.”
Lord Richard Attenborough, legendary director and actor, has passed away at the age of 91.
Much progress has been made in representing African-American life onscreen, but there’s a long way to go.
Dangers facing journalists like James Foley; 11 things that shouldn’t be said to black people; Mara Wilson on Robin Williams; Reflections on “The Big Sleep”; R.I.P. Leonard Maltin’s Movie Guide.
Roderick Heath on “We Are the Best!”; The whiplash of journalism; Hollywood’s secret sequel economy; Chatting with Seth Meyers; Kirk Douglas on Lauren Bacall.
“Let’s Be Cops” and Michael Brown; Forgive Damon Lindelof; Stop writing dystopian sci-fi; Reflections on “The Darjeeling Limited”; Temporal anxieties in 2014 films.
An examination and appreciation of one of Robin Williams’ greatest films, “The Fisher King.”
There’s nothing selfish about suicide; “Garden State” does not hold up; Looking back at “The Abyss”; America is not for black people; The problem with “Persecuted.”
Gilbert Gottfried on Robin Williams; Remembering Lauren Bacall; Paying attention; Tyler Ross shines in “The Killing”; Reflections on “Lawrence of Arabia.”
The writers of RogerEbert.com reflect on the life, career and death of Robin Williams.
There’s something unique in
writer/director Linklater’s approach to verisimilitude, and it’s particularly
interesting in contrast with other films with which “Boyhood” shares a kinship.