Creed II falls victim to the sins of sequelitis—it’s bigger, louder and more grandiose than its predecessor—yet manages to right itself by not losing focus…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Reviews from Sundance on documentaries "Plaza de la Soledad" and "Film Hawk."
Rob Epstein and Jeffrey Friedman's "Lovelace" tells the story of the eponymous porn star who stunned the world with her sexual talents in "Deep Throat" (1972), only to pay a dear price for her brief flash of celebrity. Linda Lovelace, as played by Amanda Seyfried, was a love-hungry, innocent young girl led astray by Chuck Traynor, a manipulative pimp of a husband, whose affection quickly turned into exploitation.
"Twists of fate, love and humour, perseverance and, finally, a philosophical outlook- his story has it all." - Sarah Hampson.(click photo to enlarge) From the Globe and Mail article "You couldn't write this script" published July 19, 2010.From the Grand Poobah: "A young lady with excellent taste". (click to enlarge) "Ever since I was a child messing around with a terrible paint set from K-mart, I have been obsessed with controlling pigment suspended in water. Now I paint with divine, hand-made watercolors from Holland along with brushes ranging from high-end to dirt cheap, but the obsession remains..." - from Kelly Eddington's artist statement. To read more and see her truly wonderful watercolors, visit Kelly Eddington's Website and Gallery.
Ah, watercolors.... so easy to master; only takes decades....
My first movie at Cannes will hopefully end up being my worst movie at Cannes. I chose to see "William Vincent," directed by Jay Anaia. James Franco starred and produced, as it was his production company Rabbit Bandini Productions that made the film.
I love James Franco and think he is a great actor. I was interested in finding out the types of films he would make if given more control. Unfortunately, the result was disappointing.
Scroll down for my earlier entries.
The first five Sundance entries I've seen are the kinds of film the festival exists to showcase. It is possible that many of them won't ever open in most of the places you readers live, but you've impressed me with your resourcefulness in finding them anyway (and no, I don't mean piracy). You guys demonstrate that if you want to find a movie badly enough, you often can.
One of them, "Homewrecker," is for rent right now via YouTube, in keeping with the festival's Reinvention/Rebirth/Renewal and its embrace of new distribution channels such as the net and regional art cinemas.
That one and "Armless" are playing in the new Sundance section named NEXT, which specializes in movies with "low to no budgets." The guidelines specify budgets below $500,000, and both of these look closer to half a million than to "no."
PARK CITY, Utah -- "Girlfight," Karyn Kusama's story of a tough Brooklyn girl who wants to be a boxer, and "You Can Count on Me," Kenneth Lonergan's story of an orphaned brother and sister who uneasily get to know each other as adults, shared the grand jury prize for best dramatic film here Saturday at the Sundance Film Festival. In addition, Lonergan won the Waldo Salt screenwriting award, and Kusama was picked as best director.