Hail Satan?
Buried somewhere in this smart but somewhat disorganized and repetitious movie about The Satanic Temple is a trickier, potentially deeper and more all-encompassing work.
Raquel Welch
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How to Be a Latin Lover (2017)
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Celeste
Susan Wloszczyna -
Tortilla Soup (2001)
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Hortensia
Roger Ebert -
Mother, Jugs and Speed (1976)
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Jugs
Roger Ebert -
The Last of Sheila (1973)
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Alice
Roger Ebert -
Bluebeard (1972)
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Magdalena
Roger Ebert -
Fuzz (1972)
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Policewoman
Roger Ebert -
100 Rifles (1969)
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Sarita
Roger Ebert -
Lady in Cement (1968)
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Kit Forrest
Roger Ebert -
Bandolero! (1968)
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Maria
Roger Ebert -
Bedazzled (1968)
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Lilian Lust
Roger Ebert -
Fathom (1967)
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Fathom Harvill
Roger Ebert
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Hollywood Beginning: Eugenio Derbez on “How to Be a Latin Lover”
An interview with Mexican superstar Eugenio Derbez about his English-language breakout, "How to Be a Latin Lover," remaking "Being There" and more.
The Return of Warren Beatty
A report on the Museum of the Moving Image's Salute to Warren Beatty.
Keep Moving!: The Films of Richard Lester.
An appreciation of Richard Lester as a retrospective of his work is about to unfold in New York City.
Thumbnails 4/21/14
Ray Harryhausen's creature drawings; How hollywood killed death; Live-coverage of Hateful Eight reading; Masterful noir films; A short movie.
Blu-ray Consumer Guide: November 2013
Glenn Kenny highlights the picks of Blu-ray releases for the month of November
Sybil Danning: From Hercules to Bluebeard
When she heard about the gladiator's cloak, Sybil Danning knew that things were not going to be great between her and Lou Ferrigno. This was on the set of 'Hercules,' in Rome, where Sybil was co-starring with the onetime Incredible Hulk.
9 Acts in Durango with Peckinpah, Coburn, Kris, Dub and The Duke
A visit to Mexico, in nine acts.
Mae West Stories
HOLLYWOOD -- A couple of months ago, Mae West sauntered into Arthur Knight's film class at USC, put her hand on her hip, took her time looking around the room, and finally said: "Hello, boys." It was a co-ed class. Somehow, in the context you understand why Mae West is still the most fascinating personality in Hollywood, and why everywhere you go they're telling Mae West stories again.
Interview with Jim Brown
This guy Jim Brown is on the level. For a couple of years there have been stories about Brown doing this and Brown doing that, Brown breaking up places like Bogart used to do, Brown allegedly heaving girls off the balcony, and eventually you get the notion he's trouble.
