What is most amazing about this film is how completely Spielberg serves his story. The movie is brilliantly acted, written, directed and seen. Individual scenes…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
The first episode of TNT's “I Am the Night” made its world premiere at AFI FEST on Friday afternoon at the Egyptian Theatre in Hollywood.
A review of the first six episodes of Hulu's second season of "The Handmaid's Tale."
A look at the disparity between male and female directors and the people fighting to correct it.
An article about the 2018 Academy Award nominees.
A report from the 2018 Critics Choice Awards.
Chaz Ebert lists her favorite films of 2017.
The lists of best films of 2017.
One of the best superhero films, in large part because the title character sincerely believes in values larger than any one person.
An article about Deadline's The Contenders 2017 event in Hollywood.
A column on the lack of diversity in this year's potential Oscar nominees.
The latest and greatest on Blu-ray and DVD and streaming, including "The Big Sick," "Certain Women," "Wonder Woman," and Ken Burns and Lynn Novick's "The Vietnam War."
A look back at this past weekend's Telluride Film Festival, which included 9 in the main program directed by women.
In trying to shake-off the political blues, an article highlighting various things that bring me joy.
A report from San Diego Comic-Con 2017 about a panel featuring female directors.
Scout Tafoya celebrates the women-focused films "Below the Belt" and "Hundra" in his latest video essay about maligned masterworks.
An interview with Ana Lily Amirpour, writer/director of "The Bad Batch."
In praise of the women in front of and behind the camera on "Wonder Woman."
Crying through the fight scenes in "Wonder Woman"; Behind Wonder Woman is a great man; How Patty Jenkins saved DC; Tributes to 1978's "Superman"; Ebert on Jenkins.
On the 4DX experience, "Wonder Woman," and the magic of movies.
Two Summer 2017 blockbusters get great companion books about their productions.
A report on the 2016 installment of Female Filmmakers Night at the Midwest Independent Film Festival.
A Blu-ray review of "Batman v Superman: Dawn of Justice (Ultimate Edition)," arriving July 19.
Roger's Favorites: directors Kasi Lemmons, Patty Jenkins and Kimberly Peirce.
A report on "Radical Grace," "The Armor of Light" and "Larry Kramer in Love & Anger" at AFI Docs 2015.
Being young, white male directors with one indie hit gets you a blockbuster like Jurassic World. Why doesn't the same hold true for female directors and directors of color?