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Elaine May’s Mikey & Nicky Ready for Rediscovery on Criterion Blu-ray

“Zola,” “Anora,” and the DEI Mirage

Cannes 2025: Our Coverage of Neon’s Remarkable Six-Film Palme d’Or Streak

April 2025 Blu-Ray Guide: “Anora,” “The Brutalist,” “Heart Eyes,” “One of Them Days,” More

SXSW Film Festival 2025: 42nd Street, The Spies Among Us, Make It Look Real

International and Indie Cinema on the Rise: A Report from the 97th Academy Awards

Anora’s Real-Life Fairytale: Five-Oscar Victory for Indie Film

If We Picked the Winners: The 97th Academy Awards

Brenda Robinson, Acting President of Film Independent, Set to Preside Over 40th Spirit Awards; Aidy Bryant Cheerfully Returns as Host

Oscar Nominations Predictions 2025

Beachside Mingling at a Poignant Spirit Awards Nominee Brunch

The Great Craft of 2024

The Great Performances of 2024, Part One

Netflix’s “No Good Deed” Is a Fantastic Black Comedy About the Woes of Homebuying

“The Brutalist” Leads Chicago Film Critics Association Nominees

The Best Films of 2024

Nicole Kidman Joins Honorees at Palm Springs International Film Festival

The State of the 2024 Oscar Race

The Telluride Tea: My Diary of the 2024 Telluride Film Festival

The Best Show on TV is Back in the Third Season of FX’s The Bear

Neon’s Five Palme d’Or Winners, Ranked

Cannes 2024 Video #8: Award Winners

Cannes 2024: Sean Baker’s Anora wins Palme d’Or

Cannes 2024: Anora, Limonov, Ernest Cole: Lost and Found, Lula

Which Cannes Film Will Win the Palme d’Or? Let’s Rank Their Chances

I Need Your Magic: M. Emmett Walsh (1935-2024)

The 25 Best TV Series of 2023

FX’s The Bear Continues to Reach for Greatness

FX’s Better Things Says Goodbye with Sly, Tearjerking Fifth Season

The Damned: The Films of Elaine May

An American Carol: Sean Baker on Red Rocket

Telluride Film Festival 2021: Red Rocket, C’mon C’mon, Cyrano

Cannes 2021: Red Rocket, Titane

Ned Beatty: 1937-2021

The Nostalgia of Epix’s Bridge and Tunnel is Filled with Wrong Turns

Pamela Adlon’s Better Things is Still One of the Best

Bright Wall/Dark Room September 2019: Blind Date by Veronica Fitzpatrick

Bright Wall/Dark Room January 2019: The Year of the Death Wish by Fran Hoepfner

Amy Heckerling on “Fast Times at Ridgemont High,” “Clueless” and more

FX Launches Donald Glover’s “Atlanta” and Pamela Adlon’s “Better Things”

Cinematic Jazz: The Myth of John Cassavetes

Book Excerpt: “Robert De Niro: Anatomy of an Actor” by Glenn Kenny

My other neighborhood on Red Arrow Highway

Superheroes: Good vs. Evil isn’t really much of a theme

I’ve got the sweetest set of wheels in town

Variety: This thumb’s for you

Joel Siegel’s advice for cancer patients
