Zombieland: Double Tap
The vast majority of sequels are unnecessary, but Zombieland: Double Tap feels particularly so, especially coming out a decade after the original.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An interview with Stephen Cone, writer/director of "Princess Cyd."
Filmmaker Ira Sachs ("Forty Shades of Blue," "Little Men") talks about the impact of his first feature, “The Delta,” on his life and career, and the lessons he drew from its production.
A preview of the 2016 Chicago International Movies & Music Festival, running from April 13 - 17.
A look at female-directed horror films of 2014, including "The Babadook," "The Strange Color of Your Body's Tears" and "Sleepwalker."
Stop freaking out about Lena Dunham; The cheapening of independent film; In defense of Renee Zellweger; Undervalued strengths of "White Bird in a Blizzard"; How big media shot itself in the foot.
The makers of three films from the 2014 Sundance Film Festival muse on the challenges of adaptation.
From the Sundance Institute:
Los Angeles, CA — Last night, Wednesday, June 5, the third annual ‘Celebrate Sundance Institute’ benefit in Los Angeles honored the life and work of beloved journalist and film critic Roger Ebert with the Vanguard Leadership Award in Memoriam. The event also honored filmmaker Ryan Coogler – whose debut feature film, Fruitvale Station, was selected for Sundance Institute's Screenwriters Lab and went on to win both the Grand Jury Prize and the Audience Award at the 2013 Sundance Film Festival – with the Vanguard Award, Presented by Tiffany & Co.
The Grand Poobah writes: Here's a behind the scenes lookinside our control room! This is where the magic happens.
I have before me a schedule of the 2007 Toronto Film Festival, which opens Thursday and runs 10 days. I have been looking at it for some time. I am paralyzed. There are so many films by important directors (not to mention important films by unknown directors), that it cannot be reduced to its highlights. The highlights alone, if run in alphabetical order, would take up all my space.