Far-Flung Correspondent Gerardo Valero reflects on one of his favorite movies, The Poseidon Adventure.
Marie writes: Behold a living jewel; a dragonfly covered in dew as seen through the macro-lens of French photographer David Chambon. And who has shot a stunning series of photos featuring insects covered in tiny water droplets. To view others in addition to these, visit here.
(click images to enlarge)
Marie writes: I love illustrators best in all the world. There's something so alive about the scratch and flow of pen & ink, the original medium of cheeky and subversive wit. And so when club member Sandy Kahn submitted links for famed British illustrator Ronald Searle and in the hopes others might find him interesting too, needless to say, I was quick to pounce; for before Ralph Steadman there was Ronald Searle... "The two people who have probably had the greatest influence onmy life are Lewis Carroll and Ronald Searle."-- John LennonVisit Kingly Books' Ronald Searle Gallery to view a sordid collection of wicked covers and view sample pages therein. (click to enlarge image.) And for yet more covers, visit Ronald Searle: From Prisoner of War to Prolific Illustrator at Abe Books.
View image Ernest Borgnine ("Marty"), Oscar-winner for Best Actor, 1955.
Edward Copeland announces the results of his third annual Oscar survey, this year devoted to the best and worst choices for Best Actor, 1927 - 2006. Survey participants chose Marlon Brando, Jack Nicholson, Robert De Niro, Anthony Hopkins, Tom Hanks and Jeremy Irons among the best best actors, but guess for which films? Worst best actors included Dustin Hoffman, Russell Crowe, Jack Nicholson, Tom Hanks and Denzel Washington.
My own choices are below, after the jump...
Q. I was rooting for "Brokeback Mountain" to win the Best Picture Oscar. I thought it was a great film. I haven't seen "Crash," but I'm curious now to see it and be able to make a comparison. I wish the Academy voters had done the same. For the major categories, there is no requirement that Academy voters have seen all nominees. Or that they've even seen any of the nominees. Or that the Academy member is the person actually filling out the ballot. The process is a sham.
EDITOR'S NOTE: Sometimes, Roger Ebert is exposed to bad movies. When that happens, it is his duty -- if not necessarily his pleasure -- to report them (fairly, accurately) as he sees them. Whether they're so bad they're funny, so bad they're not funny, or so unfunny they're not funny, he must critique them. From bad Elvis to Deuce Bigalow, these are excerpts from reviews of some of the worst movies he's ever seen. (Click on the titles for the full reviews.) It's not just their measly ratings -- from zero to 1.5 stars -- but what Ebert has to say about them that really conveys their true awfulness.
TORONTO--The 11 films by 11 filmmakers in the film "11/09/01," all trying to address 9/11 in 11 minutes, are uneven and not entirely satisfying. One wonders if the producers, who are from France, should have recruited directors of shorts rather than features, but four of them have undeniable impact, and one is devastating.
FREEPORT, Grand Bahama Island -- Sam Peckinpah's "The Wild Bunch," which is possibly the most violent film ever made, stirred up a bitter controversy here. Film critics splint into many camps at an extraordinary press conference, and even co-stars William Holden and Ernest Borgnine seemed slightly squeamish about the movie. But just about everyone agreed that "The Wild Bunch" will be this summer's top box-office draw, for better or worse.
CARTAGENA, COLOMBIA - "There's no use kidding ourselves," Lewis Gilbert said. "The appeal of this film will be based on sex and violence, of course. But the difference is, this will be the first sex and violence epic. Usually sex and violence are counted on to sell themselves, and so that sort of thing is made cheaply..."