Meanwhile in France…Cannes to Be Specific
A French reporter chimes in on the eve of the 2024 Cannes Film Festival.
A French reporter chimes in on the eve of the 2024 Cannes Film Festival.
Inclusivity isn’t new in romantic drama, even if Bridgerton has made it a big part of the conversation again.
Conversations with KiKi Layne, Greg Kwedar, Kelly O’Sullivan, Pamela Adlon, and more from this year’s Chicago Critics Film Festival.
Season 2 takes a few missed steps toward the confounding, but commits deeper to the show’s own weirdness.
The latest Netflix international hit isn’t very good.
The director of A24’s surreal, genre-defining new film talks about nocturnal energy, recurring dreams, and what lies within and beyond the world of the screen.
Chaz offers a video preview of the most exciting titles passing through this year’s festival.
A tribute to the legendary filmmaker.
An announcement of new team members at RogerEbert.com.
From a Donald Trump origin story to the return of Furiosa, here’s a look at the movies everyone’s excited to see at the world’s most prestigious film festival.
Tangible warmth is a fundamental component of many of Hamaguchi’s most notable works.
An interview with the Oscar-nominated actor about her new roles, representing queerness from a rural lens and the process of maintaining a character’s emotional arc over a long period of time.
A preview of New York’s Restored & Rediscovered Festival, unfolding next week at the Jacob Burns Film Center.
Unavailable for decades and loathed by the band, this 1970 film is finally getting its due—and paints the Fab Four’s final days in poignant, tense tones.
A new ad for Apple says the quiet part out loud: the tech industry hates artists and wants to destroy their livelihood
The star of Francis Galluppi’s crime comedy talks about rhubarb pie, Funny Games, and finding the humor in self-important characters.
The director of the trippy seven-minute Slamdance short Nowhere Stream talks about LA River spillways, Picasso, and his spontaneous approach to animation.
The acclaimed directors talk about their latest hybrid film ‘Gasoline Rainbow’ and the unexpected catharsis it created for both them and their first-time actors.
A book excerpt from contributor Glenn Kenny’s new book on the making of Brian De Palma’s Scarface.
Why Palpatine, the eventual Emperor of the galaxy in Star Wars, is one of the most devious villains ever.