Cannes 2024: On Becoming a Guinea Fowl, The Village Next to Paradise, Viet and Nam
Three films at Cannes explore the many ways in which death begets truth — about secrets, love, and identity.
Three films at Cannes explore the many ways in which death begets truth — about secrets, love, and identity.
More updates on the latest from the Cannes Film Festival, with Associate Editor Robert Daniels.
An interview with the acclaimed editor (and Michael Powell’s widow) about the restoration of his 1960 classic.
In praise of Tom Tykwer’s ridiculous and thrilling “Run Lola Run”.
Portugal’s Miguel Gomes, Brazil’s Karim Aïnouz, and France’s Gilles Lellouche deliver some of the odder offerings of the competition.
Jason Gorber picks some of the most interesting international crime, wuxia and animated films from the Cannes Film Festival.
Getting fired from SNL was the best thing that ever happened to Shane Gillis.
The competition runs into a bit of a rut with new films by Christophe Honoré and Paolo Sorrentino.
Canadian correspondent Jason Gorber briefly mentions the Canadian films highlighting the festival this year.
Set around New Year’s, Sean Baker’s Anora plays like a crypto-sequel to his Christmas story Tangerine.
An interview with Glen Powell about “The Blue Angels” documentary.
Daniel Kaluuya may have won an Oscar for Judas and the Black Messiah, but it feels even timelier now than when it came out as protests rage across the country.
Hellblade 2 is here. But should it be?
Ethan Hawke was recently in Chicago for a sold-out screening of his Wildcat, starring his daughter Maya Hawke. We chatted.
An account of the memorial service for film scholar David Bordwell.
On three films from the Critics Week section of Cannes 2024.
“The Apprentice” depicts the friendship between Donald Trump and Roy Cohn, while in “The Shrouds,” David Cronenberg reflects on old obsessions.
Evil is back for what looks like its final full season. It’s still phenomenal. And totally weird.
One the weird, the gonzo, and the unusual amongst the offerings of this year’s Cannes Film Festival.
An Interview with the actor about developing television projects with a cinematic flair, how Warren Beatty in “Shampoo” shaped his performance, and the uneasy marriage of privilege and activism.